The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_ββ_) More important than this external aspect is the vitality of the
_dramatis personae._ Such ought not to be merely specific interests
personified, which is only too frequently the case at the hands
of modern dramatists. Such abstract impersonations of particular
passions and aims are wholly destitute of dramatic effect. A purely
superficial individualization is equally insufficient. Content and form
in such cases, as in the analogous type of allegorical figures, fail
to coalesce. Profound emotions and reflections, imposing ideas and
language offer no real compensation. Dramatic personality ought to be,
on the contrary, vital and self-identical throughout, a complete whole
in short, the opinions and characterization of which are consonant with
its aims and action. It is not the breadth of particular traits which
is here of first importance, but the permeating individuality, which
synthetically binds all in the central unity, which it in truth is, and
displays a given personality in speech and action as issuing from one
and the same living source, from which every characteristic, whether
it be of idea, deed or manner of behaviour, comes into being. That
which is merely an aggregate of different qualities and activities,
even though such be strung together in one string, will not give us
the vital character we require. This presupposes from the point of
view of the poet himself a creative activity which is instinct with
life and imagination. It is to the latter type, for instance, that
the characters of the Sophoclean tragedies belong, despite the fact
that they do not possess the variety of particular characteristics
which distinguish the epic heroes of Homer. Among later writers
Shakespeare and Goethe are pre-eminently famous for the vitality of
their characterization. The French, on the contrary, particularly
in their earlier dramatic compositions, appear to have been rather
content to excogitate characters that are little more than the formal
impersonations of general types and passions, than to have aimed at
giving us true and living persons.