The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
From such a point of view the poetic interest consists in that
greatness of characters, which, in virtue of their imaginative power or
their disposition and talents, display a spiritual[39] elevation over
their situations and actions no less than over the entire wealth of
their soul-life, and show it as the real substance of political forces,
though often, too, these may be obstructed and, indeed, annihilated in
the stress of particular circumstances and the current of events; and
we may add that in the greatness of such natures it is not infrequent
to find that a power of recovery[40] is further contained. With regard
to the particular content of the action in this style of composition
it is not therefore the ethical vindication and necessity, but rather
the isolated individual and his conditions to which our interest is
directed. From a standpoint such as this, therefore, a fundamental
motive will arise in such qualities as love and ambition; indeed, crime
itself is not excluded. But in the latter case we may easily find
rocks ahead difficult indeed to clear. For an out and out criminal,
and irrevocably so when he is weak and a thoroughly mean scamp, as
is the hero in Milliner's drama, "Crime," is something more than a
sorry sight. What we require therefore above all in such cases is at
least the formal[41] greatness of character and power of the personal
life which is able to ride out everything that negates it, and which,
without denial of its acts or, indeed, without being materially
discomposed by them, is capable of accepting their consequences.
And on the other side we find that those substantive ends, such as
patriotism, family devotion, loyalty, and the rest, are by no means to
be excluded, although for the individual persons concerned the main
question of importance is not so much the substantive force as their
own individuality. But in such cases as a rule they rather form the
particular ground upon which such persons, viewed in the light of their
private character, take their stand and engage in conflict, rather than
have supplied what we may regard as the real and ultimate content of
their volition and action.