The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
The last of the subjects which we have still to discuss as proposed
is the nature of the _tragic issue_ which characters in our present
drama have to confront, as also the type of tragic _reconciliation_
compatible with such a standpoint. In ancient tragedy it is the eternal
justice which, as the absolute might of destiny, delivers and restores
the harmony of substantive being in its ethical character by its
opposition to the particular forces which, in their strain to assert
an independent subsistence, come into collision, and which, in virtue
of the rational ideality implied in its operations, satisfies us even
where we see the downfall of particular men. In so far as a justice
of the same kind is present in modern tragedy, it is necessarily, in
part, more abstract on account of the closer differentiation of ends
and characters, and, in part, of a colder nature and one that is more
akin to that of a criminal court, in virtue of the fact that the wrong
and crime into which individuals are necessarily carried, in so far
as they are intent upon executing their designs, are of a profounder
significance. Macbeth, for instance, the elder daughters of Lear and
their husbands, the president in "Kabale und Liebe," Richard III,
and many similar examples, on account of their atrocious conduct,
only deserve the fate they get. This type of _dénouement_ usually is
presented under the guise that individuals are crushed by an actual
force which they have defied in order to carry out their personal aims.
Wallenstein, for example, is shattered on the adamantine wall of the
imperial power; but the old Piccolomini, who, in order to maintain the
lawful régime, betrays a friend and misuses the rights of friendship,
is punished through the death and sacrifice of his son. Götz von
Berlichingen, too, attacks a dominant and securely founded political
order, and goes to ground, as also Weislingen and Adelheid, who range
themselves, no doubt, on the side of this organized power, but, through
wrongful deed and disloyalty, prepare the way to disaster. And along
with this we have the demand emphasized, in virtue of the personal
point of view of such characters, that these should of necessity appear
themselves to acknowledge the justice of their fate. Such a state of
acceptance may either be of a religious nature, in which case the
soul becomes conscious of a more exalted and indestructible condition
of blessedness with which to confront the collapse of its mundane
personality; or it may be of a more formal, albeit more worldly, type,
in so far, that is, as the strength and equanimity of the character
persists in its course up to the point of overthrow without breaking
asunder; and in this way, despite all circumstances and mischances,
preserves with unimpaired energy its personal freedom. Or, as a final
alternative, where the substance of such acceptance is of more real
value, by the recognition that the lot which the individual receives is