The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
The only alternative we have left us is a process of _subsumation_,
whereby the phenomenon, the actual and defined thing, here the concrete
case or end, is not unravelled in immediate unity with the universal as
such, and freely from its own substance, but only receives validity by
virtue of its dependence upon general principles and in its relation to
legislative acts, morality, customs, and the like, which on their own
account possess independent stability. It is not the spontaneous life
of the fact in its concrete manifestation, but the prosaic division
between notion and reality, a mere relation of both to each other and
a mere demand for their union, which constitutes the fundamental type
under consideration.
Such a process of thought is frequently adopted by the religious
teacher. For him religious doctrines, in their widest connotation, and
the principles of morality or of philosophy, political or otherwise,
which follow in their train, are in fact precisely the object whereto
he can refer cases of every conceivable variety; and they are this
for the reason that these doctrines have to be accepted, believed and
recognized by the religious consciousness as essentially and in their
own worth the substance of all particular appearance. No doubt the
preacher may at the same time appeal to our heart, may suffer the
divine laws to unveil from the depth of soul-life as their source, and
face to face with his audience may refer them to such a source. But it
is not in their absolutely individual guise that he must necessarily
present and assert them; on the contrary, he must bring effective
universality to consciousness under precisely this form of commands,
promises and maxims of faith. The oratory of courts of law is even
a better illustration. Here we find in addition the twofold point
of view, that while on the one hand all turns most obviously on the
particular case, yet conversely the subsumation of this case to general
considerations and laws is equally a necessity. As regards the _first_
aspect, we may remark that the element of prose is already implied in
the enforced investigation of the actual facts and the collocation
and able reconstruction of all singular circumstances and accidents;
a process such as this at once opens our eyes to the poverty involved
in this investigation of the truth of such a legal case, no less than
the tedious ingenuity engaged in its display, if we contrast it at
least with the free creations of poetry. We have in fact to carry our
analysis of the concrete facts to a yet further point. Such must not
merely be traced in a series that does justice to all features, but
every one of such features, no less than the whole case, have to be
referred back to the statute accepted from the first as of independent
validity. At the same time, even in this prosaic affair, we still have
considerable scope for an impression on the heart and emotions. For it