The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_αα_) In the Greek and Latin languages, for example, the stem
syllable is modified, by virtue of its modes of inflexion, through
an abundance of variously toned syllables, which of course possess
an independent meaning, but only as a modification of such syllable;
this consequently, it is true, asserts its force as the substantive
significance of that variously expanded sound, but it does not, so
far as its sound is concerned, stand forth as such in pre-eminent and
unique ascendancy. When we hear, for example, the word _amaverunt_,
three syllables are attached to the word, and the accent is already
substantially differentiated throughout the number and extension
of these syllables in direct relation to the stem syllable, even
assuming no naturally long ones had been included, by which means the
_fundamental significance_ and the emphasis of _accent_ are _separated_
from each other. In such a case consequently, and in so far as the
accentuation is not identical with the _main_ syllable, but falls on
another, which merely expresses an _incidental_ significance, the
ear can from this basis at once listen to the sound of the different
syllables and follow their movement, retaining, as it does, perfect
liberty to attend to that prosody peculiar to the word or phrase, and
finding itself then invited to incorporate within its rhythm these
naturally long and short syllables.
(_ββ_) The case of our modern German language is wholly different.
That which in the Greek and Latin languages is expressed, as above
described, by means of the prefix and suffix, and other modifications,
is in more modern languages for the most part resolved in verbs of
the stem syllable; the result of this is that the inflexion syllables
that have been in the former case unfolded in one and the same word,
with collateral meanings of a varied character, are now split up
and isolated in separate words. As illustrations of this we have
the constant employment of many subsidiary words denoting time, the
independent indication of the optative by means of distinct verbs,
the separation of pronouns, and other examples. By such means, on the
one hand, the word --which in the previous case adduced was expanded
in all the variety of tone which attached to its many syllables,
under which every accent of the root, that is the root idea, was
cancelled--persists as a simple totality concentrated in itself,
without appearing as a series of tones, which being, as they are, mere
modifications, do not, by virtue of their specific _sense,_ assert an
influence with such a strength that the ear is unable to attend to
their independent tonal quality and its temporal movement. And, on the
other hand, on account of this concentration the main significance is
moreover of such a force that it attracts the fall of the accent upon
itself exclusively; and just because the emphasis is thus fastened
upon the fundamental sense this very coalescence does not suffer the