the disasters, of a love-affair alone, uncomplicated by other issues. It does its work: it must touch, in many ways, the whole character; but it is, in the essence of things, a cause--not an effect. To Sara there was one only consuming interest in life--love. All her talents were directed to the gaining, understanding, and keeping of this wonderful human mystery. She wanted wild scenes and ungovernable emotions: she was beautiful enough to figure in such situations, and fascinating enough to indulge in such crises without offence to the artistic proprieties. But she had resolved that the hero of her existence must, at least, look his part. No one denied that Orange had a remarkable personality. Every one admitted that he was clever. These were the sternest estimates of his claim to social recognition. But she knew him to be a de Hausée. She thought him superbly handsome. She had Disraeli's opinion that he was a genius. Here was a case where love would not have to be blind. Love, in this case, could defy the scornful and the proud. At last she could say, "My fate!" and call the whole world to witness her surrender. "Whether he loves me, or whether he hates me," she thought, "I have chosen him." Sinætha, weaving spells by the moon, was not more determined or more irretrievably in love than Sara. The danger of such wild moods is as attractive to the very young as it is terrifying to the more mature. Perfectly conscious of her beauty, she felt able to defy, sue, and conquer at the same moment. Orange had never seen her to such brilliant advantage. The instant he entered the room and met her eyes, which shone with a most touching kind of timidity and a most flattering joy, he had to realise the need of strict discipline where constancy is a rule of existence. Sara's laugh, movements, way of talking, played a good deal on the heart, but even more upon the senses. Brigit's lovely face gained intensity only under the influence of sorrow. Then it became human. At other times it was merely exquisite. Now Sara's countenance had all the changing qualities of nature itself. She had, too, the instinctive arts of sympathy which are so much rarer than the actual gift. Far enough was Sara from the triumph which she was imagining; far enough was Orange from the least disloyalty; but he was fully alive to the danger of regarding her as a woman to be fought against. To fight in such cases is to admit fear of conquest. "Those opals are beautiful," said he, presently. "I am glad you approve of--the opals." "But you put them to a disadvantage." "O! is that a compliment? The first you have ever paid me." "Do you care about them?" "From you, yes. I was reading in Saint-Simon's Memoirs yesterday that your ancestor--Charles de Hausée--was the first swordsman, the bravest soldier, the hardest rider, and the best judge of women in France. But let us be serious. Lady Larch is wearing her brightest smile!" "Must we be very earnest this evening?"