The English works of Thomas Hobbes of Malmesbury, Volume 06 (of 11)
Thomas Hobbes · en
To make a _poem_ graceful, many things help; but few an _oration_. For
to a _poet_ it sufficeth, with what _words_ he can, to set out his
_poem_. But an _orator_ must not only do that, but also seem not to do
it: for else he will be thought to speak unnaturally, and not as he
thinks; and thereby be the less believed; whereas _belief_ is the scope
of his oration.
The _words_ that an _orator_ ought to use are of three sorts; _proper_,
such as are _received_, and _metaphors_.
_Words_ taken from foreign languages, words compounded, and words new
coined, are seldom to be used.
_Synonymes_ belong to _poets_, and _equivocal_ words to _sophisters_.
An orator if he use _proper_ words, and _received_ and _good metaphors_,
shall both make his oration _beautiful_, and not seem to intend it; and
shall speak _perspicuously_. For in a _metaphor_ alone there is
_perspicuity_, _novity_, and _sweetness_.
Concerning _metaphors_ the rules are these:
1. He that will make the best of a thing, let him draw his _metaphor_
from somewhat that is better. As for example, let him call a _crime_ an
_error_. On the other side, when he would make the worst of it, let him
draw his _metaphor_ from somewhat worse; as, calling _error_, _crime_.
2. A _metaphor_ ought not to be so far-fetched, as that the similitude
may not easily appear.
3. A _metaphor_ ought to be drawn from the noblest things; as the
_poets_ do, that choose rather to say _rosy-fingered_, than
_red-fingered Aurora_.
In like manner the rule of _epithets_ is, that he that will adorn,
should use those of the better sort; and he that will disgrace, should
use those of the worse. As Simonides being to write an _ode_ in honour
of the victory gotten in a course by certain mules, being not well paid,
called them by their name, Ἡμιόνους, that signifies their propinquity to
asses: but having received a greater reward, styles them the _sons of
swift-footed coursers_.
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CHAPTER III.
OF THE THINGS THAT MAKE AN ORATION FLAT.
The things that make an oration _flat_ or _insipid_, are four:
1. _Words compounded._ And yet a man may compound a word, when the
composition is necessary for want of a simple word, and easy, and seldom
used.
2. _Foreign words._ As for example, such as are newly derived from the
Latin; which though they were proper among them whose tongue it is, are
foreign in another language: and yet these may be used, so it be
moderately.
3. _Long_, _impertinent_, and _often epithets_.
4. _Metaphors indecent_ and _obscure_. _Obscure_ they are, when they are
far-fetched. _Indecent_, when they are _ridiculous_, as in _comedies_;
or _too grave_, as in _tragedies_.
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CHAPTER IV.
OF A SIMILITUDE.