"Yet," murmured the girl, to whom this stillness suggested thoughts, "around us are nature-spirits, invisible and busy, both watchful and indifferent. Oh, Mr. Hardwick, how I should love to see the trolls, the pixies, the gnomes and the nixies." "Rhyme, if not reason," laughed the artist lazily, "one must have the eye of faith to see such impossible things." "Impossible?" Miss Enistor shrugged her shoulders and declined to combat his scepticism beyond the query of the one word. As that did not invite conversation, Hardwick gave himself up to the mere contentment of looking at her. Amidst the warm splendours of the hour, she somehow conveyed to him the sensation of a grey and pensive autumn day, haunting, yet elusive in its misty beauty. He was wholly unable to put this feeling into words, but he conceived it dimly as a subtle blurring of the picture she had bidden him create. His love for her was like a veil before his conception, and until that veil was removed by his surrender of the passion, the execution of the landscape on canvas was impossible. Yet so sweet was this drawback to his working powers that he could not wish it away. Yet it was strange that the girl should be attractive to a man of his limitations, since her alluring qualities were not aggressively apparent. A delicate oval face, exquisitely moulded, with a transparent colourless skin, and mystical eyes of larkspur blue, were scarcely what his blunt perceptions approved of as absolute beauty. Slim and dainty and fragile in shape and stature, her unusual looks suggested a cloistered nun given to visions or some peaked elfin creature of moonlight and mist. She might have been akin to the fairies she spoke about, and even in the strong daylight she was a creature of dreams ethereal and evanescent. Hardwick was much too phlegmatic a man to analyse shadows. A Celt would have comprehended the hidden charm which drew him on; the Saxon could only wonder what there was in the girl to impress him. "You are not my ideal of beauty, you know, Miss Enistor," he said in such a puzzled way as to rob the speech of premeditated rudeness; "yet there is something about you which makes me adore you!" The girl flushed and shrugged her shoulders again. "What a flamboyant word is 'adored'!" "It is the only word I can use," said Hardwick stoutly. "The Venus of Milo, Brynhild in the Volsung poem, Jael who slew Sisera, Rubens' robust nymphs: these were the types which appealed to me--until I met you." "How complimentary to my small commonplace looks! What caused you to change your mind, Mr. Hardwick?" "Something you possess, which is not apparent." "You talk in riddles. What attracts any one must be apparent." "Well, that is uncertain. I am not a deep thinker, you know. But there is such a thing as glamour." "There is. But you are not the man to comprehend the meaning of the word." "I admit that: all the same I feel its influence--in you!"