"Such were the notions of bravery in that age, and such the fictions by which they formed models of it. The effects these had on their ordinary life and conversation was, first, an extravagant gallantry and adoration of the whole female sex, and romantic notions of extraordinary constancy, fidelity, and refined passion for one mistress. Secondly, the introduction of the practice of single combat. How naturally this sprung up from chivalry may easily be understood. A knight-errant fights, not like another man full of passion and resentment, but with the utmost civility mixed with his undaunted courage. He salutes you before he cuts your throat; and a plain man, who understood nothing of the mystery, would take him for a treacherous ruffian, and think that, like Judas, he was betraying with a kiss, while he is showing his generous calmness and amicable courage. In consequence of this, every thing is performed with the greatest ceremony and order; and whenever either chance or his superior bravery make either of them victorious, he generously gives his antagonist his life, and again embraces him as his friend. When these fantastic practices have come in use, the amazed world, who, merely because there is nothing real in all this, must certainly imagine there is a great deal, could not but look upon such a courteous enmity as the most heroic and sublime thing in nature; and instead of punishing any murder that might ensue, as the law directs in such cases, would praise and applaud the murderer."[25:1] Perhaps the reader of these passages will have come to the conclusion that the powers of reason displayed in them are as bold and original as the imagination is meagre and servile. The reflections on Gothic architecture are the commonplace opinions of the day, uttered by one who was singularly destitute of sympathy with the human intellect, in its early efforts to resolve itself into symmetry and elegance; whose mind shrunk from the contemplation of any work of man that did not bear the stamp of high intellectual culture. The same want of sympathy with man in his rude and grand, though inharmonious efforts, here attends both the chivalric manners and the solemn architecture of the dark ages. Of the former, he has made a cold, clear, unsympathizing, perhaps accurate estimate. The latter, unless a large proportion of the architectural enthusiasts of the present day have raised the taste of the age upon false foundations, he utterly misappreciated.