Miss Mephistopheles: A Novel: (Sequel to Madame Midas.) — David Hume — John Shaqi
Miss Mephistopheles: A Novel: (Sequel to Madame Midas.)
David Hume · en
"Come into Lane's Hotel and have a glass of brandy," said Ezra, when
Meg and her attendant had disappeared; "you need it after the shaking
you have had."
"What is the child's name?" asked Keith, as he went into the bar. "You
seem to know her."
Ezra laughed softly, and ordered a glass of brandy for his friend.
"A curious way Fate has of working," he said, rather irrelevantly.
"She has played into your hands to-day, for that child is Kitty
Marchurst's, better known as 'Caprice.'"
"I didn't know she had a child," said Keith. "Who is the father? Is
she married?"
"No, she is not married. As to the father, it's a long story; I'll
tell you all about it some day. Meanwhile, you have done her a service
she will never forget."
"Much good it will be to me," said Keith disbelievingly
"You've exactly hit it," replied Ezra composedly. "She can do you a
great deal of good, seeing that she is the reigning favourite of the
stage at present. I will introduce you to her to-night, and then--"
"Well?"
Ezra shrugged his shoulders, and replied slowly,--
"The best friend an ambitious man can have is a clever woman; a wiser
man than I made that remark."
CHAPTER III.
PRINCE CARNIVAL.
The "Bon-Bon" was the smallest, prettiest, and most luxurious theatre
in Melbourne, and was exclusively devoted to farcical comedy,
burlesque, and opera-bouffe, the latter class of entertainment being
now the attraction. There was no pit, the circle and boxes being
raised but little above the level of the stalls. The decorations
were pink, white, and gold, the seats being covered with pale,
rose-coloured plush, with curtains and hangings to match, while the
electric lights, shining through pink globes, gave quite a warm glow
to the theatre. The dome was decorated with allegorical figures
representing Momus, the God of laughter, and Apollo, the God of music,
while all round the walls were exquisitely-painted medallions of
scenes from celebrated operas and burlesques. The proscenium was a
broad frame of dullish gold, the curtain of roseate plush, and on
either side of the stage were life-size statues of Offenbach and
Planché in white marble. Altogether, a charming theatre, more like a
cosy drawing-room than a place of public entertainment.
At the entrance was a high flight of white marble stairs, leading
to a wide corridor, the walls of which were hidden by enormous
mirrors, and at intervals stood white marble statues of the Greek
divinities, holding aloft electric lights. On the one side was the
smoking-room,--a luxurious lounge,--and on the other a refreshment
bar, all glass and glitter, which was crowded between the acts by the
thirsty patrons of the play.
Ezra and Keith arrived about nine o'clock, just as the first act of
"Prince Carnival" was over, and finding the _salon_ tolerably full,
Lazarus sat down near one of the small, marble-topped tables, and
lighting his cigarette, proceeded to point out to Keith all the
notabilities present.