Miss Mephistopheles: A Novel: (Sequel to Madame Midas.) — David Hume — John Shaqi
Miss Mephistopheles: A Novel: (Sequel to Madame Midas.)
David Hume · en
"I knew you'd say she was an angel."
CHAPTER IV
LAZARUS.
It was a very little shop of squat appearance, as if the upper storey
had gradually crushed down the lower. Three gilt balls dangling in
mid-air over the wide door indicated the calling of the owner, and, in
order that there should be no mistake, the dusty, rain-streaked
windows displayed the legend, "Lazarus, Pawnbroker," in blistered
golden letters. There were three windows in the upper storey, and
these being innocent of blinds or curtains, with the addition of one
or two panes being broken, gave the top of the house a somewhat
dismantled look. The lower windows, however, made up for the blankness
of the upper ones, being full of marvels, and behind their dingy glass
could be seen innumerable articles, representing the battered wrecks
of former prosperity.
Gold and silver watches, with little parchment labels attached,
setting forth their value, displayed themselves in a tempting row, and
their chains were gracefully festooned between them, intermixed with
strings of red coral, old-fashioned lockets, and bracelets of jet and
amber. Worn-out silver teapots were placed dismally at the back in
company with cracked cups and saucers of apparently rare old Worcester
and Sêvres china. Dingy velvet trays, containing innumerable coins and
medals of every description, antique jewellery of a mode long since
out of date, were incongruously mingled with revolvers, guns, spoons,
cruets, and japanned trays, decorated with sprawling golden dragons;
richly-chased Indian daggers, tarnished silver mugs, in company with
deadly-looking American bowie knives; bank-notes of long since
insolvent banks were displayed as curiosities, while a child's rattle
lay next to a Book of Beauty, from out whose pages looked forth
simpering faces of the time of D'Orsay and Lady Blessington. And over
all this queer heterogeneous mixture the dust lay thick and grey, as
if trying for very pity to hide these remnants of past splendours and
ruined lives.