Miss Mephistopheles: A Novel: (Sequel to Madame Midas.) — David Hume — John Shaqi
Miss Mephistopheles: A Novel: (Sequel to Madame Midas.)
David Hume · en
Some folk, however--wise in their generation--preferred staying at
home to sitting in church, with damp boots and a general sense of
stickiness about their clothes, and though possibly their souls
suffered from such an omission, their bodies were certainly more
comfortable. Among these godless people, who thus preferred comfort to
religion, were two young men occupying a room on a first floor, the
windows of which looked across to the church, now full of damp and
steaming worshippers.
A room in a boarding-house--especially one where boarders only pay
twenty-five shillings a week--is not generally a very luxurious
apartment, and this special room was certainly no exception to the
rule. It was square, with a fairly lofty ceiling, and the walls were
covered with a dull red paper, which, being mellowed by time, had
assumed a somewhat rusty hue.
It was rapidly growing dark outside, and there was no light in the
room, save that which came from a roaring coal fire blazing brightly
up the chimney, and illuminating the apartment in a curiously
fantastic manner. It sent out red shafts of light into dark corners,
as if to find out what was hidden there, and then being disappointed,
would sink back into a dull, sulky glow, only to fall into a chaotic
mass, and blaze merrily up once more.
The apartment wherein the fire played these elfish tricks was
furnished comfortably, but the furniture had a somewhat dingy look.
The carpet was threadbare, except under the table, where there could
be traced some vestiges of its original pattern. A cottage piano was
pushed into a corner slanting ways, and beside it was a great untidy
pile of music. At one end of the room, a desk covered with papers, and
immediately above it a shelf containing a small array of well-worn
books. Near the desk stood an aggravatingly bright sideboard, whereon
were some glasses, a jug of water, and a half-empty bottle of whisky.
Four or five lounging chairs of wicker-work were scattered about,
covered with rugs of wallaby fur, whilst the walls and mantelpiece
were almost covered with photographs, mostly of women, but here and
there a male face, showing the well-known features of Beethoven,
Chopin, and other famous musicians.
This somewhat incongruous apartment was a private sitting-room in an
East Melbourne boarding-house, and was at present in the occupation of
Ezra Lazarus, journalist. Ezra Lazarus himself was seated at the piano
playing snatches of music, while on the hearth-rug, smoking a pipe,
lay a man propped up on his elbow, with his head resting on his hand,
staring into the burning coals, and listening to his friend playing.