Miss Mephistopheles: A Novel: (Sequel to Madame Midas.) — David Hume — John Shaqi
Miss Mephistopheles: A Novel: (Sequel to Madame Midas.)
David Hume · en
Keith had only been boarding in the house a week, consequently Ezra
knew nothing about his friend's life, beyond the fact that he was poor
and ambitious. As Stewart never volunteered any information about
himself, Ezra, with the delicacy of a sensitive nature, shrank from
forcing himself on his confidence. The inexhaustible subjects of books
and music, a walk by the banks of the Yarra, or an occasional visit to
the theatre, had been, so far, the limit of their social
companionship. Their inner selves were still unknown to each other. To
all, however, there comes a moment when the desire to unburden the
mind to a sympathetic nature is strong, and it was in such a moment
that Ezra Lazarus first learned the past life of Stewart.
On this dreary Sunday night Ezra let his fingers wander over the
piano, vaguely following his thoughts, and the result was a queer
mingling of melodies--now a bizarre polonaise of Chopin, with its
fantastic blending of patriotic joy and despairing pain, then a rush
of stormy chords, preluding a Spanish dance, instinct with the amorous
languor and fierce passion of the south. Outside, the shrill wind
could be heard sweeping past, a sheet of rain would lash wildly
against the windows, and at intervals the musical thunder of the organ
sounded from the adjacent church.
Keith smoked away steadily and listened drowsily to the pleasant
mingling of sounds, until Ezra began to play the Traviata music, with
its feverish brilliancy and undercurrent of sadness. Then he suddenly
started, clenched his hand, and taking his pipe from his mouth, heaved
an impatient sigh, upon hearing which, Lazarus stopped playing, and
turned slowly round.
"A link of memory?" he said, in his soft voice, referring to the
music.
Stewart replaced his pipe, blew a thick wreath of smoke, and sighed
again.
"Yes," he replied, after a pause; "it recalls to me--a woman."
Ezra laughed half sadly, half mockingly.
"Always the Eternal feminine of George Sand."
Keith sat up cross-legged in front of the fire and shrugged his
shoulders.
"Don't be cynical old chap," he said, glancing round; "I'm sick of
hearing the incessant railing against women--good heavens! are we men
so pure ourselves, that we can afford to cast stones against the sex
to which our mothers and sisters belong."
"I did not mean to be cynical," replied Ezra, clasping his hands round
one of his knees, "I only quoted Sand, because when a man is thinking,
it is generally--a woman.
"Or a debt--or a crime--or a sorrow," interposed the other quickly;
"we can ring the changes on all of them."
"Who is cynical now?" asked the Jew, with a smile.
"Not I," denied Keith, emphatically, drawing hard at his pipe; "or if
I am, it is only that thin veneer of cynicism, under which we hide our
natural feelings now-a-days; but the music took me back to the time
when 'Plancus was consul'--exactly twelve months ago."