There may perhaps be some, who, being accustomed to the style of the schools and pulpit, and having never considered human nature in any other light, than that in which _they_ place it, may here be surprised to hear me talk of virtue as exciting pride, which they look upon as a vice; and of vice as producing humility, which they have been taught to consider as a virtue. But not to dispute about words, I observe, that by _pride_ I understand that agreeable impression, which arises in the mind, when the view either of our virtue, beauty, riches or power, makes us satisfied with ourselves; and that by _humility_ I mean the opposite impression. 'Tis evident the former impression is not always vicious, nor the latter virtuous. The most rigid morality allows us to receive a pleasure from reflecting on a generous action; and 'tis by none esteemed a virtue to feel any fruitless remorses upon the thoughts of past villany and baseness. Let us, therefore, examine these impressions, considered in themselves; and inquire into their causes, whether placed on the mind or body, without troubling ourselves at present with that merit or blame, which may attend them. SECTION VIII. OF BEAUTY AND DEFORMITY. Whether we consider the body as a part of ourselves, or assent to those philosophers, who regard it as something external, it must still be allowed to be near enough connected with us to form one of these double relations, which I have asserted to be necessary to the causes of pride and humility. Wherever, therefore, we can find the other relation of impressions to join to this of ideas, we may expect with assurance either of these passions, according as the impression is pleasant or uneasy. But _beauty_ of all kinds gives us a peculiar delight and satisfaction; as _deformity_ produces pain, upon whatever subject it may be placed, and whether surveyed in an animate or inanimate object. If the beauty or deformity, therefore, be placed upon our own bodies, this pleasure or uneasiness must be converted into pride or humility, as having in this case all the circumstances requisite to produce a perfect transition of impressions and ideas. These opposite sensations are related to the opposite passions. The beauty or deformity is closely related to self, the object of both these passions. No wonder, then, our own beauty becomes an object of pride, and deformity of humility.