Smithsonian Institution - United States National Museum - Bulletin 249: Contributions from the Museum of History and Technology; Papers 52-54 on Archeology — David Hume — John Shaqi
Smithsonian Institution - United States National Museum - Bulletin 249: Contributions from the Museum of History and Technology; Papers 52-54 on Archeology
David Hume · en
No fewer than 648 stem fragments were recovered from the cellar
and their stem-hole diameters, using J. C. Harrington's chart,[26]
indicated a manufacture date in the period 1680-1710. Because pipes
are considered to have had a short life, it is generally assumed that
the dates of manufacture and deposition are not far apart. Other
artifacts from the deposit, notably the large glass stem, the wine
bottles, small wineglass and, of course, the pipe bowl shapes, together
suggested a terminal date for the group within the period 1690-1700.
Using the Binford formula,[27] the 648 stem fragments suggested a
mean date of 1698. Experience has shown that the formula is likely to
be accurate to three or four years either way on a sampling of that
size.[28]
The presence of the same maker's initials, I·F, on pipe bowls at
different levels of the cellar fill strongly pointed to a homogeneity
of deposition. Although it is impossible to identify the owners of
the initials with any certainty, it is worth noting that there was
a Josiah Fox making pipes in Newcastle-under-Lyme in and after 1683
whose initials are the same as those most common in the Clay Bank
cellar. The I·F mark was somewhat unusual in that it was impressed
between two X's across the top of the stem (fig. 16, no. 11). All other
marks, save one, were in the normal position, to left and right of the
heels. These comprised W F (William Ferry, Marlborough, about 1700?),
or perhaps W.P., II I (Henry Jones, London, 1688?)[29] and V R. The
remaining mark, S A (fig. 16, no. 14) occurred on the bases of two
bowls with neither heels nor spurs. From the oystershell layer south of
the existing house came a bowl fragment ornamented with the name of a
well-known Bristol pipe-making family, I TIPPET, in a raised cartouche
on the side. This was probably Jacob Tippett whose name appeared in the
Bristol Freedom Rolls in 1680.[30]
In addition to the few marked bowls, two stems were of interest in
that they had been ground or pared down to enable the pipes to be used
again, one being only 2-1/4 inches in length (fig. 16, nos. 12 and 13).
Such frugality might be construed as being associated with a household
of small means. Also present were a few brown stem fragments and part
of one decorated bowl (fig. 8, no. 9) of Virginia, possibly Indian,
manufacture.
Conclusions