The Court of Philip IV.: Spain in Decadence — David Hume — John Shaqi
The Court of Philip IV.: Spain in Decadence
David Hume · en
[21] Navarrete says, speaking of the luxury of the Court at this
period--and we shall see that it was exceeded later--"The smallest
hidalgo insisted upon his wife only going out in a carriage, and that
her equipage should be as showy as that of the greatest gentleman at
Court. Not even a carpenter or a saddler, or any other artizan, was
seen but he must be dressed in velvet or satin like a nobleman. He
must needs wear his sword and his dagger, and have a guitar hanging on
the wall of his shop." When it is remembered that the production and
distribution in Spain itself of the precious stuffs mentioned were
hampered at every point, it will be understood how great and constant
the drain of wealth was from a country which now exported little but
the products of its soil.
[22] For details of the expulsion see, _inter alia_, Fray Jaime Bleda's
_Cronica de los Moros de España_ (Valencia, 1618); _The Moriscos of
Spain_, by C. H. Lea (London, 1901); _Memorable Expulsion_, etc., by
Guadalajara (Pamplona, 1614); and Porreño's _Felipe III_.
[23] The wise minister of Philip II., Idiaquez, in 1595 almost alone
saw the economical evil of the expulsion. In an important letter to a
colleague (MS. Loyola No. 1., 31, Royal Academy of History, Madrid) he
rebuked the general idea that Spain would be richer for the expulsion
of the Moriscos, and pointed out that they almost alone were creating
national wealth by their industry, frugality, and skill in agriculture.
"But all this," he says, "is of no consideration in exchange for
putting away from our throat the knife which threatens it so long as
these people remain amongst us in their present condition and we in
ours."
[24] The ancient church in the Prado where this ceremony always took
place, and where the young King of Spain and his English bride were
married recently.
[25] "His Majesty wore a white doublet and trunks with a grey satin
cloak, all embroidered with bugles and gold spangles and lined with
ermine. White shoes and a black velvet cap with strings of pearls and
diamonds and a plume of white feathers sprinkled with magnificent
diamonds; a sword beautifully chased and an embroidered belt; a ruff
with crimson silk ribs and the grand collar of the Golden Fleece." See
a curious contemporary MS. account of the ceremony. British Museum
MSS., Egerton, 367.
[26] The Prince was nevertheless so frightened that the silken bands
necessary in the ceremony meant an intention to bleed him, and he cried
so much in consequence, that he had to be led to a little chair at his
mother's knee before he could be pacified; and there his sister, the
Infanta Ana, weighed down by her stiff gorgeousness, knelt and did
homage, to be followed by the cardinal, the nobles, and the Cortes.
_Ibid_.