The Crimson Cryptogram: A Detective Story — David Hume — John Shaqi
The Crimson Cryptogram: A Detective Story
David Hume · en
"Why should Mrs. Moxton shield her sister, Bob? You don't suspect
Janet of the crime?"
"Oh, no. From the blood-signs it is plain that Zirknitz murdered him.
I don't know what to think. But it is plain that Janet was at the
house that night, and perhaps she fled in terror on seeing the crime
committed. However, I shall ask Mrs. Moxton about the matter."
"She will tell you nothing."
"Now that I have found out so much I think she will, if only to
exonerate her sister," retorted Ellis. "If she refuses, I shall go to
Geneva Square, in Pimlico, and interview Miss Gordon myself. She may
have seen Zirknitz kill the poor devil, and then have fled to avoid
being mixed up in the matter."
"Well," said Cass, as the cab drew up before a brilliantly-lighted
portal, "it seems to me that Zirknitz is the man to catch and
question. We may hear about him here, as it appears he was a companion
of the dead man. But the case gets more involved at every fresh
discovery. First we suspect Mrs. Moxton, then our suspicions rest on
the Austrian, finally an unknown sister seems to be implicated in the
matter. It will be a queer story when all things are brought to light.
I hope we shall find Zirknitz here."
"If he is a wise man you will not," replied Ellis, as they alighted.
"Remember, a _fac-simile_ of these blood-signs appeared in all the
papers. Zirknitz may know the cypher, and, having read his own
initials, has, no doubt, made himself scarce."
"H'm! There is something in that. We shall see."
The music-hall was vast and palatial, with a domed roof, two
galleries, and much ornate decoration. The seats were cushioned with
red velvet, the promenades were carpeted. In many corners tall mirrors
reflected back the moving crowd, and everywhere there was gilding,
light, crystal and colour. The whole place was filled with changing
hues like a king-opal, and glittered with overpowering splendour in
the floods of white radiance pouring from clusters of electric lamps.
A fine orchestra was playing a swinging waltz, the last movement of a
ballet, and the stage was filled with a multitude of gyrating,
pirouetting women, constantly moving and tossing in gorgeous costumes,
like a bed of tulips in a high wind. For a few moments the two men,
coming out of the dark night, were dazzled by the glare, and stunned
by the crash of the music and babel of voices. Cass drew his friend
aside to a marble-topped table and ordered drinks while he looked at
the programme. Suddenly he caught sight of a man he knew and jumped up
to shake hands.
"Hullo! Schwartz," he cried. "Here is a friend of mine I wish to
introduce. Captain Garret, I hope I see you well?"
The German was a fat, fair man, quiet in looks and dress, and with a
somewhat careworn face. His companion, a tall, dissipated, military
gentleman, in accurate evening dress, answered to the name of Garret,
and bowed distantly. This latter had a bad expression and a pair of
shifty eyes.