I must say that I had greater ambitions than to write cheap sensational plays, and that I did write them at all was due--as it would seem--to mere chance. After I left Oxford my parents died, and--owing to their extravagances--everything was sold. I came to London with an income of fifty pounds a year. I could not exactly starve on one pound a week, but I had a sufficiently bad time, and tried to supplement my income by writing for the papers. An old actor, boarding at a house wherein I had taken up my abode, suggested that I should attempt a melodrama. I did so with his assistance, and between us we managed to get it staged at a small theatre in the East End. To my surprise, the play was a great success, being sufficiently lurid to capture the tastes of the somewhat rough audience. Since that time I had been committed to this particular form of entertainment, and try as I might I could not escape from the memory of my first hit. But I did not surrender my earlier ambitions, as I have before stated. I worked hard at the cheap sensational plays, which were produced at second-class theatres, and saved all the money I could, in the hope of gathering together sufficient principal to give me an assured income of five hundred a year. When independent, I determined to devote myself to writing really good plays--high-class comedies and poetic dramas for choice--but meanwhile served my apprenticeship to the writing craft under the eye of the public. On the whole, I had very little to complain about, and my portion of the viands at Life's Banquet was moderately tempting, if not superlatively delicate. I do not think there is anything more to explain about myself, save that I was not handsome, that I had never been in love, and that I occupied a tiny flat in West Kensington, where the rents are moderate. As a rule I wrote furiously every day until a play was completed, then attended to the rehearsing and saw the production. Afterwards I took to my motor, and scoured the country, partly to get fresh air, and partly because I had a chance of stumbling across incidents in real life which afforded me material for plots, situations, scenes, and characters.