The Island of Fantasy: A Romance — David Hume — John Shaqi
The Island of Fantasy: A Romance
David Hume · en
The proverb that “The rich are more miserable than the poor,” is but a
trite one on which to preach a sermon, for did not Solomon say all that
there was to be said in the matter? It was an easier task to write a new
play on the theme of Hamlet, than to compose a novel discourse on the
“All is vanity” text; for on some subjects the final word has been said,
and he who preaches thereon says nothing new, but only repeats the ideas
of former orators, who in their turn doubtless reiterated the sayings of
still earlier preachers, and so on back to Father Adam, to whom the wily
serpent possibly delivered a sermon on the cynically wise saying
illustrated so exhaustively by Solomon ben David. Therefore, to remark
that Maurice was miserable amid all his splendors is a plagiarism, and
they who desire to study the original version for themselves must read
Ecclesiastes, which gives a minute analysis of the whole question, with
cruelly true comments thereon.
When Roylands ten years before had gone to London, against the desire of
his father, to take up the profession—if it can be called so—of a
sculptor, he was full of energy and ambition. He had fully determined to
set the Thames on fire by the creation of statues worthy of Canova, to
make a great name in the artistic world, to become a member of the
Academy, to inaugurate a new era in the history of English sculpture;
so, with all this glory before him, he turned his back on the flesh-pots
of Egypt and went to dwell in the land of Bohemia. In order to bring the
lad to his senses, Roylands senior refused to aid him with a shilling
until he gave up the pitiful trade—in this country squire’s opinion—of
chipping figures out of marble. Supplies being thus stopped, Maurice
suffered greatly in those artistic days for lack of an assured income;
yet in spite of all his deprivations, he was very happy in Bohemia until
he lived down his enthusiasms. When matters came to that pass, the wine
of life lost its zest for this young man, and he became a victim to
melancholia, that terrible disease for which there is rarely—if any
cure. He lived because he did not agree with Addison’s Cato regarding
the virtues of self-destruction, but as far as actual dying went it
mattered to him neither one way nor the other. If he had done but little
good during his life, at least he had done but little harm, so, thinking
he could scarcely be punished severely for such a negative existence, he
was quite willing to leave this world he found so dreary, provided the
entrance into the next one was not of too painful a nature.