Jennings, quietly dressed in blue serge with brown boots and a bowler hat, turned down the lane and advanced towards the double door of the Academy, which was surmounted by an allegorical group of plaster figures designed by Le Beau himself, and representing Orpheus teaching trees and animals to dance. The allusion was not complimentary to his pupils, for if Le Beau figured as Orpheus, what were the animals? However, the hot-tempered little man refused to change his allegory and the group remained. Jennings passed under it and into the building with a smile which the sight of those figures always evoked. Within, the building on the ground floor was divided into two rooms--a large hall for the dancing lessons and a small apartment used indifferently as a reception-room and an office. Above, on the first story, were the sitting-room, the dining-room and the kitchen; and on the third, under a high conical roof, the two bedrooms of the Professor and Peggy, with an extra one for any stranger who might remain. Where Margot, the French cook and maid-of-all-work, slept, was a mystery. So it will be seen that the accommodation of the house was extremely limited. However, Le Beau, looked after by Peggy and Margot, who was devoted to him, was extremely well pleased, and extremely happy in his light airy French way. In the office was Peggy, making up some accounts. She was a pretty, small maiden of twenty-five, neatly dressed in a clean print gown, and looking like a dewy daisy. Her eyes were blue, her hair the color of ripe corn, and her cheeks were of a delicate rose. There was something pastoral about Peggy, smacking of meadow lands and milking time. She should have been a shepherdess looking after her flock rather than a girl toiling in a dingy office. How such a rural flower ever sprung up amongst London houses was a mystery Jennings could not make out. And according to her own tale, Peggy had never lived in the country. What with the noise of fiddling which came from the large hall, and the fact of being absorbed in her work, Peggy never heard the entrance of her lover. Jennings stole quietly towards her, admiring the pretty picture she made with a ray of dusky sunlight making glory of her hair. "Who is it?" he asked, putting his hands over her eyes. "Oh," cried Peggy, dropping her pen and removing his hands, "the only man who would dare to take such a liberty with me. Miles, my darling pig!" and she kissed him, laughing. "I don't like the last word, Peggy!" "It's Papa Le Beau's favorite word with his pupils," said Peggy, who always spoke of the dancing-master thus. "With the addition of darling?" "No, that is an addition of my own. But I can remove it if you like." "I don't like," said Miles, sitting down and pulling her towards him, "come and talk to me, Pegtop."