The capitals, too, of the north doorway of the church are very curious, though apparently later than the cloister door, one of the carvings representing a man in a long gown being devoured by an animal’s head, doubtless an allegory of which the significance is lost to us. Another church of some interest is that of Mattosinhos, a large and prosperous village adjoining the harbour of Leixões, where those who come by sea to Oporto land. The way thither from the city by the electric tramway lies along the river-side, and past the charming tropical-looking public gardens at the Foz de Douro, where in the summer heat the citizens of Oporto idle, flirt, and disport themselves in the surf that breaks upon the sandy beach. The Church of Mattosinhos is a great place of pilgrimage, for it possesses amongst other attractions a miraculous image of Christ, which is venerated throughout Portugal, and the shrine is a famous one. The church lies on a gentle eminence, and is approached by a beautiful, wide, mosaic pavement, bordered by avenues of planes and cork trees, under the shadow of which are six chapels containing life-sized groups representing scenes in the passion of Our Lord. The soft warm air from the sea comes heavy-laden with the scent of flowers, and on one side of the church a grove of orange trees shelters a merry school of boys, who do not even pause in their games to glance at the curious stranger peering about amongst them. The outside of the church, somewhat squat and solid eighteenth-century work, presents a fair specimen of a style of which we shall see much later; a style not at all ineffective, although its description may not sound attractive. Its peculiarity consists in the admixture of brownish-grey granite, of which all the architectural lines and salient points consist, with panels or spaces of snow-white plaster between. In this pure air, under a brilliant sun, the subdued colour of the granite softens the outlines, whilst the white spaces prevent an appearance of gloom or heaviness. Inside, the Church of Mattosinhos is grave and simple in its architectural features, but, as usual, the altars, and especially the chancel, are a riotous mass of gilt wood carving, without repose or restraint.