From the door of the hotel in the Campo Sant’ Anna the tyrannical little street train that bullies Braga several times a day carries us to the foot of the Bom Jesus on the spur of Mount Espinho. For nearly two miles of continuous gentle ascent the road passes through a long stretching suburb of humble houses; and then a quarter of a mile through a close grove of shady trees brings us to the outer portico of the sanctuary, a white gateway at the head of a flight of steps, backed apparently by a dense luxuriant wood. Hard by the portico is the starting platform of an elevator railway, by which pilgrims may, if they please, dodge the rigours of the penance, and arrive at the summit without exertion. This course, on my arrival, commended itself to me, and I left until the next day a full exploration of the place. On the summit of the spur, by the side and behind the great church, white outlined by brown granite as usual, there lies a land of enchantment. Vegetation of surprising luxuriance is everywhere, giant trees full of verdure nearly all the year round, mosses, ferns, and flowers in every crevice. Gushing fountains and cascades, rustic bridges, and sweet winding paths through the woods, everything that can conduce to tranquil repose and comfort is here, with air so pure and exhilarating at this great elevation as to raise the most depressed to vivacity. On a picturesque little clearing on the summit there are two or three hotels, the principal of which, the Grand Hotel, a long one-storey wooden building overhung by great trees, I can vouch for as excellent. The sanctuary is naturally a great resort amongst the people of Braga in the hot summers on the plain, and I cannot conceive a more agreeable place to pass a few days for rest at any time of the year; but the special religious element draws many devotees who conscientiously go through the pilgrimage to the shrines, and on the 3rd of May and Whit Sunday especially many hundreds of pilgrims flock to the sanctuary for devotion as well as for pleasure. The astonishing feature of the place is, of course, the devotional approach to the church up the side of the mountain, and it is difficult in a few words to give an idea of the eccentricity of the structure. It may be admitted at once that the taste displayed is atrociously bad, for it belongs to that eighteenth century which has loaded Portugal with rococo monstrosities; but the very vastness of Bom Jesus, and its exquisite position, save it from triviality; and looked at as a whole, either from above or below, the effect is grandiose in the extreme. [Illustration: ON THE TERRACE, BOM JESUS.]