One more show chamber there is in the “national monument” portion of Alcobaça: a hall lined with eighteenth-century pictorial blue tiles, representing in large tableaux memorable deeds of the kings of Portugal, with statues of the kings themselves upon brackets above; the great tableau at the end, representing the coronation of Affonso Henriques, being an exceptionally good specimen of a poor artistic medium. As I walk through the grave, silent church again, and so out into the bright praça, with its avenues of shady acacias casting long shadows, the façade of the church strikes me as more inharmonious than before, now that the wonderful glow of the slanting sunrays touch the salient points with fire. The front with its seventeenth-century figures, its Manueline central round window, and its elaboration of outlines, so characteristic of the Spanish “Jesuit” style, are utterly incongruous with the pure early Gothic of the doorway, and it is with a sigh of regret that one turns from the contemplation of such a result of wealth divorced from artistry. The vast monastic building behind the church is squalid and ugly, for the occupation of soldiery does not tend to the æsthetic maintenance of a building. The famous kitchen of the monastery is used now for military purposes, but may be seen by easily obtained permission. As I looked upon it, a bare, great, vaulted hall, with the channel for water still running through it, and the marks of the long line of ovens extending across the wall, I cast my thoughts back at the busy scene that the place presented in the palmy days of the monks, when the flesh-pots of Alcobaça were proverbial through the land. This is how the place struck Beckford on his memorable visit. “The three prelates lead the way to, I verily believe, the most distinguished temple of gluttony in all Europe. What Glastonbury may have been in its palmy state I cannot answer, but my eyes never beheld in any modern convent of France, Italy, or Germany, such an enormous space dedicated to culinary purposes. Through the centre of the immense and nobly groined hall, not less than sixty feet in diameter, ran a brisk rivulet of the clearest water, flowing through pierced wooden reservoirs, containing every sort and size of the finest river fish. On one side loads of game and venison were heaped up, on the other vegetables and fruit in endless variety. Beyond a long line of stoves extended a row of ovens, and close to them hillocks of wheaten flour whiter than snow, rocks of sugar, jars of the purest oil, and pastry in vast abundance, which a numerous tribe of lay brothers and their attendants were rolling and puffing up into a hundred different shapes, singing all the while as blithely as larks in a cornfield.”