“But if the preceding representations (the first parts of [a] line, the earlier moments of time or the units represented in sequent order) were always to drop out of my thought, and were not reproduced when I advance to those that follow, no complete representation, and none of all the aforementioned thoughts, not even the purest and first basal representations of space and time, could ever arise.”[881] In order, however, that the reproduced images may fulfil their function, they must be recognised as standing for or representing contents which the self has just experienced. “Without the consciousness that what we are thinking is the same as what we thought a moment before, all reproduction in the series of representations would be in vain.”[882] Each reproduced image would in its present state be a new experience, and would not help in the least towards gaining consciousness of order or number in the succession of our experiences. Recognition is, therefore, a third form of synthesis, indispensably necessary to consciousness of time. But further, the recognition is recognition of a succession as forming a unity or whole, and that unity is always conceptual. “The word concept (_Begriff_) might of itself have suggested this remark. For it is this unitary consciousness which unites into a single representation a manifold that has been successively intuited and then subsequently reproduced.”[883] “If in counting I forgot that the units ... have been added to one another in succession, I should never recognise what the sum-total is that is being produced through the successive addition of unit to unit; and so would remain ignorant of the number. For the concept of this number is nothing but the consciousness of this unity of synthesis.”[884] The synthesis of recognition is thus a synthesis which takes place in and through empirical concepts. In the instance which we have chosen, the empirical concept is that of the number six.