"In this way," Max Adler promises, "the constitutional regulation of the position of the Workers Councils, and their power and importance, would be guaranteed along the whole line of public and social life; and--without the dictatorship of the Soviets--the Soviet system would acquire as large an influence as it could possibly have even in a Soviet republic. At the same time we should not have to pay for that influence by political storms and economic destruction" (idem). As we see, in addition to all his other qualities, Max Adler remains still in agreement with the Austrian tradition: to make a revolution without quarrelling with his Excellency the Public Prosecutor. * * * * * The founder of this school, and its highest authority, is Kautsky. Carefully protecting, particularly after the Dresden party congress and the first Russian Revolution, his reputation as the keeper of the shrine of Marxist orthodoxy, Kautsky from time to time would shake his head in disapproval of the more compromising outbursts of his Austrian school. And, following the example of the late Victor Adler, Bauer, Renner, Hilferding--altogether and each separately--considered Kautsky too pedantic, too inert, but a very reverend and a very useful father and teacher of the church of quietism. Kautsky began to cause serious mistrust in his own school during the period of his revolutionary culmination, at the time of the first Russian Revolution, when he recognized as necessary the seizure of power by the Russian Social-Democracy, and attempted to inoculate the German working class with his theoretical conclusions from the experience of the general strike in Russia. The collapse of the first Russian Revolution at once broke off Kautsky's evolution along the path of radicalism. The more plainly was the question of mass action in Germany itself put forward by the course of events, the more evasive became Kautsky's attitude. He marked time, retreated, lost his confidence; and the pedantic and scholastic features of his thought more and more became apparent. The imperialist war, which killed every form of vagueness and brought mankind face to face with the most fundamental questions, exposed all the political bankruptcy of Kautsky. He immediately became confused beyond all hope of extrication, in the most simple question of voting the War Credits. All his writings after that period represent variations of one and the same theme: "I and my muddle." The Russian Revolution finally slew Kautsky. By all his previous development he was placed in a hostile attitude towards the November victory of the proletariat. This unavoidably threw him into the camp of the counter-revolution. He lost the last traces of historical instinct. His further writings have become more and more like the yellow literature of the bourgeois market.