Literary and Philosophical Essays: French, German and Italian — Kant — John Shaqi
Literary and Philosophical Essays: French, German and Italian
Kant · en
The Mabinogion, or at least the writings which Lady Guest thought
she ought to include under this common name, divide themselves into
two perfectly distinct classes--some connected exclusively with the
two peninsulas of Wales and Cornwall, and relating to the heroic
personality of Arthur; the others alien to Arthur, having for their
scene not only the parts of England that have remained Cymric, but
the whole of Great Britain, and leading us back by the persons and
traditions mentioned in them to the later years of the Roman
occupation. The second class, of greater antiquity than the first,
at least on the ground of subject, is also distinguished by a much
more mythological character, a bolder use of the miraculous, an
enigmatical form, a style full of alliteration and plays upon words.
Of this number are the tales of Pwyll, of Bramwen, of Manawyddan, of
Math the son of Mathonwy, the Dream of the Emperor Maximus, the
story of Llud and Llewelys, and the legend of Taliessin. To the
Arthurian cycle belong the narratives of Owen, of Geraint, of
Peredur, of Kilhwch and Olwen, and the Dream of Rhonabwy. It is also
to be remarked that the two last-named narratives have a
particularly antique character. In them Arthur dwells in Cornwall,
and not as in the others at Caerleon on the Usk. In them he appears
with an individual character, hunting and taking a personal part in
warfare, while in the more modern tales he is only an emperor all-
powerful and impassive, a truly sluggard hero, around whom a pleiad
of active heroes groups itself. The Mabinogi of Kilhwch and Olwen,
by its entirely primitive aspect, by the part played in it by the
wild-boar in conformity to the spirit of Celtic mythology, by the
wholly supernatural and magical character of the narration, by
innumerable allusions the sense of which escapes us, forms a cycle
by itself. It represents for us the Cymric conception in all its
purity, before it had been modified by the introduction of any
foreign element. Without attempting here to analyse this curious
poem, I should like by some extracts to make its antique aspect and
high originality apparent.