Literary and Philosophical Essays: French, German and Italian
Kant · en
[Footnote: The Greek word means, as is known, love of wisdom.]
It is therefore not going far enough to say that the light of the
understanding only deserves respect when it reacts on the character;
to a certain extent it is from the character that this light
proceeds; for the road that terminates in the head must pass through
the heart. Accordingly, the most pressing need of the present time
is to educate the sensibility, because it is the means, not only to
render efficacious in practice the improvement of ideas, but to call
this improvement into existence.
LETTER IX.
But perhaps there is a vicious circle in our previous reasoning?
Theoretical culture must it seems bring along with it practical
culture, and yet the latter must be the condition of the former. All
improvement in the political sphere must proceed from the ennobling
of the character. But, subject to the influence of a social
constitution still barbarous, how can character become ennobled? It
would then be necessary to seek for this end an instrument that the
state does not furnish, and to open sources that would have
preserved themselves pure in the midst of political corruption.
I have now reached the point to which all the considerations tended
that have engaged me up to the present time. This instrument is the
art of the beautiful; these sources are open to us in its immortal
models.
Art, like science, is emancipated from all that is positive, and all
that is humanly conventional; both are completely independent of the
arbitrary will of men. The political legislator may place their
empire under an interdict, but he cannot reign there. He can
proscribe the friend of truth, but truth subsists; he can degrade
the artist, but he cannot change art. No doubt, nothing is more
common than to see science and art bend before the spirit of the
age, and creative taste receive its law from critical taste. When
the character becomes stiff and hardens itself, we see science
severely keeping her limits, and art subject to the harsh restraint
of rules; when the character is relaxed and softened, science
endeavours to please and art to rejoice. For whole ages philosophers
as well as artists show themselves occupied in letting down truth
and beauty to the depths of vulgar humanity. They themselves are
swallowed up in it; but, thanks to their essential vigour and
indestructible life, the true and the beautiful make a victorious
fight, and issue triumphant from the abyss.