Literary and Philosophical Essays: French, German and Italian
Kant · en
However, from the fact that a work produces effects only by its
substance, it must not always be inferred that there is a want of
form in this work; this conclusion may quite as well testify to a
want of form in the observer. If his mind is too stretched or too
relaxed, if it is only accustomed to receive things either by the
senses or the intelligence, even in the most perfect combination, it
will only stop to look at the parts, and it will only see matter in
the most beautiful form. Only sensible of the coarse elements, he
must first destroy the aesthetic organisation of a work to find
enjoyment in it, and carefully disinter the details which genius has
caused to vanish, with infinite art, in the harmony of the whole.
The interest he takes in the work is either solely moral or
exclusively physical; the only thing wanting to it is to be exactly
what it ought to be--aesthetical. The readers of this class enjoy a
serious and pathetic poem as they do a sermon; a simple and playful
work, as an inebriating draught; and if on the one hand they have so
little taste as to demand edification from a tragedy or from an
epos, even such as the "Messias," on the other hand they will be
infallibly scandalised by a piece after the fashion of Anacreon and
Catullus.
LETTER XXIII.
I take up the thread of my researches, which I broke off only to
apply the principles I laid down to practical art and the
appreciation of its works.
The transition from the passivity of sensuousness to the activity of
thought and of will can be effected only by the intermediary state
of aesthetic liberty; and though in itself this state decides
nothing respecting our opinions and our sentiments, and therefore
leaves our intellectual and moral value entirely problematical, it
is, however, the necessary condition without which we should never
attain to an opinion or a sentiment. In a word, there is no other
way to make a reasonable being out of a sensuous man than by making
him first aesthetic.
But, you might object: Is this mediation absolutely indispensable?
Could not truth and duty, one or the other, in themselves and by
themselves, find access to the sensuous man? To this I reply: Not
only is it possible, but it is I absolutely necessary that they owe
solely to themselves their determining force, and nothing would be
more contradictory to our preceding affirmations than to appear to
defend the contrary opinion. It has been expressly proved that the
beautiful furnishes no result, either for the comprehension or for
the will; that it mingles with no operations, either of thought or
of resolution; and that it confers this double power without
determining anything with regard to the real exercise of this power.
Here all foreign help disappears, and the pure logical form, the
idea, would speak immediately to the intelligence, as the pure moral
form, the law, immediately to the will.