Literary and Philosophical Essays: French, German and Italian — Kant — John Shaqi
Literary and Philosophical Essays: French, German and Italian
Kant · en
In this case public opinion will no longer be feared and an olive
crown will be more valued than a purple mantle. Impotence and
perversity alone have recourse to false and paltry semblance, and
individuals as well as nations who lend to reality the support of
appearance, or to the aesthetical appearance the support of reality,
show their moral unworthiness and their aesthetical impotence.
Therefore, a short and conclusive answer can be given to this
question--How far will appearance be permitted in the moral world?
It will run thus in proportion as this appearance will be
sesthetical, that is, an appearance that does not try to make up for
reality, nor requires to be made up for by it. The aesthetical
appearance can never endanger the truth of morals: wherever it seems
to do so the appearance is not aesthetical. Only a stranger to the
fashionable world can take the polite assurances, which are only a
form, for proofs of affection, and say he has been deceived; but
only a clumsy fellow in good society calls in the aid of duplicity
and flatters to become amiable. The former lacks the pure sense for
independent appearance; therefore he can only give a value to
appearance by truth. The second lacks reality, and wishes to replace
it by appearance. Nothing is more common than to hear depreciators
of the times utter these paltry complaints--that all solidity has
disappeared from the world, and that essence is neglected for
semblance. Though I feel by no means called upon to defend this age
against these reproaches, I must say that the wide application of
these criticisms shows that they attach blame to the age, not only
on the score of the falsez but also of the frank appearance. And
even the exceptions they admit in favour of the beautiful have for
their object less the independent appearance than the needy
appearance. Not only do they attack the artificial colouring that
hides truth and replaces reality, but also the beneficent appearance
that fills a vacuum and clothes poverty; and they even attack the
ideal appearance that ennobles a vulgar reality. Their strict sense
of truth is rightlyl offended by the falsity of manners;
unfortunately, they class politeness in this category. It displeases
them that the noisy and showy so often eclipse true merit, but they
are no less shocked that appearance is also demanded from merit, and
that a real substance does not dispense with an agreeable form. They
regret the cordiality, the energy, and solidity of ancient times;
they would restore with them ancient coarseness, heaviness, and the
old Gothic profusion. By judgments of this kind they show an esteem
for the matter itself unworthy of humanity, which ought only to
value tne matter inasmuch as it can receive a form and enlarge the
empire of ideas. Accordingly, the taste of the age need not much
fear these criticisms, if it can clear itself before better judges.
Our defect is not to grant a value to aesthetic appearance (we do