Alton Locke, Tailor and Poet: An Autobiography — John Locke — John Shaqi
Alton Locke, Tailor and Poet: An Autobiography
John Locke · en
Well, we went; and I, for my part, was charmed with Mr. Windrush's
eloquence. His style, which was altogether Emersonian, quite astonished me
by its alternate bursts of what I considered brilliant declamation, and
of forcible epigrammatic antithesis. I do not deny that I was a little
startled by some of his doctrines, and suspected that he had not seen much,
either of St. Giles's cellars or tailors' workshops either, when he talked
of sin as "only a lower form of good. Nothing," he informed us, "was
produced in nature without pain and disturbance; and what we had been
taught to call sin was, in fact, nothing but the birth-throes attendant on
the progress of the species.--As for the devil, Novalis, indeed, had gone
so far as to suspect him to be a necessary illusion. Novalis was a mystic,
and tainted by the old creeds. The illusion was not necessary--it was
disappearing before the fast-approaching meridian light of philosophic
religion. Like the myths of Christianity, it had grown up in an age of
superstition, when men, blind to the wondrous order of the universe,
believed that supernatural beings, like the Homeric gods, actually
interfered in the affairs of mortals. Science had revealed the
irrevocability of the laws of nature--was man alone to be exempt from them?
No. The time would come when it would be as obsolete an absurdity to talk
of the temptation of a fiend, as it was now to talk of the wehrwolf, or
the angel of the thunder-cloud. The metaphor might remain, doubtless,
as a metaphor, in the domain of poetry, whose office was to realize,
in objective symbols, the subjective ideas of the human intellect; but
philosophy, and the pure sentiment of religion, which found all things,
even God himself, in the recesses of its own enthusiastic heart, must
abjure such a notion."
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