Memory's Storehouse Unlocked, True Stories: Pioneer Days In Wetmore and Northeast Kansas
John Locke · en
Prior to this, the “Kid” and I had “starred” in a local entertainment
entitled “Beauty and Beelzebub” — and mutual admiration had blossomed
then. She was the Angel and I was the Devil. In the tableau, the Devil,
encased in a tight-fitting black sateen cover-all, with horns and a
four-foot forked tail, was suspended on wires about four feet off the
floor when the curtain went up. Then the Angel, up in the clouds, began
the descent with song, the singing increasing in volume as she came
down bare feet first, with outstretched wings, settling in front of the
Devil. The “Kid” made a pretty picture, with her abundant dark hair —
which, I happen to know, came down nearly to her ankles — spread over
the white flowing covering whose traditional folds parted in front just
enough to indicate that she dwelt in a place where shoes and stockings
were taboo. The Angel departed by the same route—wire and windlass
mechanism—went up into the clouds from whence she had come, with more
singing, at first in full voice, then fading, fading, fading away in a
manner denoting distance. In her young budding womanhood the “Kid” made
a beautiful Angel — and the clear, sweet singing was out of this world.
Coral Hutchison was at first considered for the Angel. She was a
beautiful girl, and a beautiful singer—and while she had a wonderful
head of hair, quite as long as the “Kid’s,” its rather too blonde shade
ruled her out. So the “Kid,” with the requisite dark hair, was given a
place in the spot-light—and Coral did the singing behind the scenes.
Sorry, I can’t tell you what event or setting that tableau portrayed.
There was much more to the show, speaking parts and superb acting. And
though clearly the “Kid” and I were “it,” the whole show was titled
“Beauty and Beelzebub.”
At the picnic, my adversary, the rich man’s son, said to me, “I see
you’ve got a new girl. How come?” I said, “Yeah—likewise you. Thanks
for the assist.” After I had started to walk on, he called, “Hey, John,
whatsha mean by that?”
He was with Lou Kern. Hattie and Lou Kern, and Nina and Emma Bolman,
were four Netawaka girls that were popular with our Silver Stocking
crowd; as were also Caroline Emery, living in the country northeast of
Wetmore, and her visiting friend, Mamie Blakeslee, a former neighbor
whose home was now in Savannah, Mo.
Mamie Blakeslee was a strikingly pretty girl.