And Katy--she is always presented to us clad in a short woolen gown, her shapely legs enclosed in warm red stockings; and she had a bright red handkerchief about her neck, with good, comfortable shoes, and a coquettish straw hat--a buxom girl, who can dance down any lad within ten miles, and can "hurroo" as well as Pat, and a little better. The Irish priest is always represented to us as a fat, sleek, jolly fellow, who is constantly giving his people good advice but who nevertheless is always ready to sing "The Cruiskeen Lawn," in a "rich, mellow voice," before a splendid fire in the house of his parishioners, with a glass of poteen in one hand and a pipe in the other, the company joining jollily in the chorus. He is supposed to live in luxury from the superstition of his people, and to have about as rosy a life as any man on earth. All these are lies. The Irishman is the saddest man on the surface of the globe. You may travel a week and never see a smile or hear a laugh. Utter and abject misery, starvation and helplessness, are not conducive of merriment. [Illustration: THE EVICTED IRISHMAN.] The Irishman has not only no short-tailed coat, but he considers himself fortunate if he has any coat at all. He has what by courtesy may be called trowsers, but the vest is a myth. He has no comfortable woolen stockings, nor is he possessed of the regulation stage shoes. He does not sing, dance or laugh, for he has no place to sing, laugh and dance in. He is a moving pyramid of rags. A man who cuts bog all day from daylight to dark, whose diet consists of a few potatoes twice a day, is not much in the humor for dancing all night, even were there a place for him to dance in. And as for jollity, a man with a land agent watching him like a hawk to see how much he is improving his land, with the charitable intent of raising the rent, if by any possibility he can screw more out of him, is not in the mood to laugh, sing, dance or "hurroo." One might as well think of laughing at a funeral. Ireland is one perpetual funeral. The ghastly procession is constantly passing. There is unquestionably a vast fund of humor in the Irishman, which would be delightful could it have proper vent. You hear faint tones of it, as it is; but it is in the minor key, and very sad. It always has a flavor of rack-rent in it, a taste of starvation, a suggestion of eviction and death, by cold and hunger, on the road-side. It isn't cheerful. I had much rather have the Irishman silent, than to hear this remnant of jocularity which is always streaked with blood. [Illustration: TO MARKET AND BACK FOR SIXPENCE.] [Sidenote: SEVERAL DELUSIONS.]