The Glory of Clementina Wing — John Locke — John Shaqi
The Glory of Clementina Wing
John Locke · en
Tommy, calling for Clementina the next morning; was confronted at the
open door, not by Eliza, but by a demure damsel in a black frock, black
apron, and a black bow in her hair, who said “Oui, monsieur,” when
addressed. Tommy, still bewildered, asked whether she was a new lady’s
maid. “Oui; monsieur,” said the damsel, and showed him into the Sheraton
drawing-room. He sat down meekly and waited for Clementina. She came
down soon, a resplendent vision, exquisitely gowned, perfectly hatted,
delicately gloved, and in her hand she jingled a small goldsmith’s shop.
She pirouetted round.
“Like it?”
Tommy groaned. “Clementina, darling, tell me, in Heaven’s name, what
you’re playing at, or I’ll go raving mad.”
“I told you that one of these days I was going to become a lady. The day
has come. Don’t I look like a lady?”
“That’s the devil of it,” he laughed. “You look like an archduchess.”
They picked up Etta and met Quixtus at the Carlton where they lunched in
the middle of the great gay room. The young people’s curious awe of the
transmogrified Clementina soon melted away. The big, warm-hearted
Clementina they loved was unchanged; but to her was added a
laughter-evoking, brilliant, joyous personage whose existence they had
never suspected. Quixtus went home stimulated and uplifted. He had never
enjoyed two hours so much in his life.
And that was the beginning of the glory of Clementina Wing.
Day by day the glory deepened. The pyrotechnic—a flash, a bedazzlement
and then darkness—was not in Clementina’s nature. She had deliberately
immolated the phœnix of dusky plumage and from its ashes had arisen this
second and radiant phœnix incarnation. She suffered, as she confessed to
herself, infernally; for a new fire-born phœnix must have its skin
peculiarly tender; but she grinned and bore it for the greater
glory—well, not of Clementina alone—but of God and her sex and the
happiness of those she loved and the things that stood for the right.
She was fighting the interloping woman with her own weapons. She,
Clementina, the despised and rejected of men, was pitting her sex’s
fascinations against the professional seductress. She had won the first
pitched battle. She had swept the enemy from the field. Sheer fierceness
of love, almost animal, for the child, sheer pity flaming white for the
man grown dear to her, sheer sex, sheer womanhood—these were the forces
at work. It would have been easy to denounce the woman to Quixtus. But
that might have thrown him back into darkness. Easy, too, to have held
her knowledge as a threat over the woman’s head and bade her begone. But
where had been the triumph? Where the glory? Whereas to scorn the use of
her knowledge and conquer otherwise, therein lay matter for thrilling
exultation. It was an achievement worth the struggle.