100 New Yorkers of the 1970s — John Stuart Mill — John Shaqi
100 New Yorkers of the 1970s
John Stuart Mill · en
She recently spent five weeks in upstate New York playing one of the
leads in _The Glass Menagerie_ by Tennessee Williams. The critics had
nothing but praise for her portrayal of the ambitious mother, and one
described Maureen's acting as "genius."
The stage is not the only place where Maureen employs her dramatic
talents. Shortly after completing the Williams play, she went to Albany,
New York to do a reading from _The Wayward Bus_ for the state
legislature. "They're trying to get a new bill through Congress to get
money for a program for more halfway houses for women alcoholics," she
explains. "I believe in that kind of thing."
One of the last plays she did in New York City was _No Sex Please --
We're British_. It was a hit in London, and the preview performances
were doing well enough in New York to call for an official Broadway
opening. "Then [drama critic] Clive Barnes came to the producer and
said, 'If you have an opening you'll have a disaster, because the critics
won't like it.' And he was right. As soon as the reviews came out, the
theatre emptied. In the previews, the audiences loved it. The critics made
a big thing out of opening night. In London, I don't think the public pays
that much attention to the critics. The average person there doesn't read
the reviews."
Perhaps it's the singing lessons she has never stopped taking that account
for her pure lyrical speaking voice, which is still as sweet as it was when
she made her first film, _Song of My Heart_, nearly 50 years ago.
Though Maureen's soft British accent gives no hint of it, she was brought
up in Dublin, Ireland. While working as a young actress in England she
was discovered by an American producer and brought to the U.S. to do
her first movie with famed tenor John McCormack. After that her career
blossomed.
Any comment on the Tarzan films for which she became famous? "I made
five. They have been remembered. I'm glad to be remembered for
something. Let's leave it at that."
These days, while Maureen is waiting to hear about her autobiography,
she is working on some short stories. Two have appeared in the _Ladies'
Home Journal_. "I have no special goals," she says. "One thing leads to
another. Supposing my theatrical career came to an end, I'd like to open
an antique shop in Vermont, and write, and paint -- I always have -- and
sew. If you can do one art, you can do them all. It's different ways of
saying the same thing.
"I'm a special type of grandmother. At the theatre, I like to take the
children backstage. And in New York, I take them in a horse and buggy
around the park, or for tea at the Plaza. In that way, I can bring color into
their lives."
Maureen has been a Westsider for the past 15 years. "I'm very fond of
Mal the Tailor, on 72nd near Columbus. And Mr. Walsh the florist.
O'Neal's Balloon. The Pioneer Market. They're all on 72nd Street. That's
my beat."