Born and raised in Salem, Oregon, he began studying voice while a high
school freshman, doing chores in exchange for lessons. After graduation,
he was drafted into the First Cavalry Division of the U.S. Army, fought
in the Pacific, then received his master's degree in voice under the G.I.
Bill. Arriving in New York City in 1951, he got a job singing at Radio
City Music Hall. From there he went on to many Broadway musicals, TV
shows, films and recordings. His generous income from _Annie_ enabled
him, last year, to purchase the Westside apartment building in the Theater
District where he's been living since 1956. "It's a rent-controlled building
with 20 apartment units. This last year I lost four thousand dollars on it
because of oil and everything, but I have never regretted buying it."
Some behind-the-scene stories are as interesting as the show itself. Yul
Brynner, for example, has refused to be photographed with Shelton:
"Maybe he's afraid if the strobes hit our glistening heads simultaneously
there will be no picture." Sandy, the dog, was discovered in an animal
shelter just one day before he was due to be put to sleep. "It's that bored,
I-don't-care quality that that dog has," says Reid, "that's so endearing to
the audience. He lives with his trainer and owner, Bill Berloni, a
marvelous young chap who found a whole new career for himself through
the dog." And when the subject of orphanages comes up, Reid tells of a
place called the Jennie Clarkson Home in Valhalla, New York, which he
visited not long ago.
"It's not exactly an orphanage, but a temporary home for girls whose
families can't provide for them. They have about 40 girls who stay in
cottages with cottage parents, and they go to school there. The agency
works with the family by trying to find the father a job or whatever, so
the girls can finally return home. ... I was so impressed with the work
they're doing. I'm trying to raise money for it."
He recalls visiting the White House to do a shortened version of _Annie_
for the Carters. "We got back at 3 in the morning, totally exhausted, but
the whole day was made worthwhile when Mrs. Carter sought me out and
said, 'You know, I must tell you how much I appreciate your taking your
day off to come down here and do this for us. It must be a real chore, and
I do appreciate it.' It was just a wonderful, wonderful personal thing that
she didn't have to do. It's something I will always treasure."
On another occasion, says Reid, Robert Wagner and Natalie Wood came
backstage after a show. "Bobby just kept crying, and Natalie finally said,
'For God's sake, Bob, stop it.' But he couldn't. Even now, I'm terribly
thrilled when people come back and say, 'You made me cry.' I'm proud
of that. If I can touch some response in people, and maybe open up
something that they didn't even know they felt, that's a tremendous plus
in being an actor."
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WESTSIDER BOBBY SHORT
Mr. New York to perform in Newport Jazz Festival
6-23-79