The original _Roots_ was seen by more people than any other program in the history of television, but Richard does not dwell on his important role in _Roots II_. He prefers to talk about the fulfillment he has found in marriage. "I can't imagine not being married at this point," he says, the thick gold band gleaming on his finger. "If my marriage weren't happy, I couldn't make the right kind of career decisions. One supports the other. They're part of the same package." Does he expect to have more children? Richard smiles broadly and replies: "That's really my wife's department." ******** EASTSIDER ANDY WARHOL Pop artist and publisher of _Interview_ magazine 4-7-79 He is the great enigma of American art. Some of his most famous paintings are exercises in monotony. His movies often put the viewer to sleep. As a conversationalist, he can be low-keyed to the point of dullness: speaking softly in a slow-paced, emotionless voice, he relies heavily on short sentences, long pauses, and an abundance of "ums" and "uhs." However, he has one asset that overshadows everything negative that might be said or written about him: his name happens to be Andy Warhol. The only time I met Warhol in person was at a book publication party several months ago. He came by himself, spoke to hardly anyone, and spent most of his brief visit flitting quietly about the room, avoiding people's eyes and taking snapshots of the more celebrated guests. With his pale complexion, narrow frame, and hair like bleached straw, he looked not unlike a scarecrow. Everywhere he went, heads turned to catch a glimpse. That has been the story of Warhol's life ever since he rose to international prominence in the 1960s. Although he did not feel like talking when I met him, Andy -- never publicity-shy -- agreed to a telephone interview at a later date. Reached at the offices of his _Interview_ magazine off Union Square, he answered all my questions briefly, and in a voice so low that he could barely be heard. _Interview_, the monthly tabloid-shaped magazine that he publishes, is Warhol's most visible creative project at the moment. "It's been going for about seven or eight years," he said. "I started it for Brigid Berlin. Her father ran the Hearst Corporation. She didn't want to work on it." The person on the cover of each issue is identified only on the inside, and many of the faces are difficult to recognize. Some are genuine celebrities, such as Truman Capote, who has a regular column. Others are young unknowns who have caught Warhol's fancy. The ultramodern layout includes many full-page ads for some of the most expensive shops in Manhattan. The interviews, interspersed with many photos, lean heavily on show business personalities, models, artists, writers and fashion people. In most cases, the "interviews" are actually group discussions -- often with Andy himself taking part -- that are printed verbatim. Even the most mundane comments are not cut.