100 New Yorkers of the 1970s — John Stuart Mill — John Shaqi
100 New Yorkers of the 1970s
John Stuart Mill · en
Ms. Hall's face glows with pride when she speaks of Deardra, her 14
year-old daughter from a previous marriage: "My daughter is a singer,
too. She won the music award from her school." Deardra is hoping to
enter New York's High School of Performing Arts this fall.
Plans for the future? Delores would like to try grand opera someday --
possibly the role of Aida. And a new record album is not far off. Several
years ago she recorded her first album for RCA. Since she began drawing
national attention in _Box_, some tempting offers have come in from
recording companies, and her manager is in the process of negotiating a
contract. The new album may be either gospel or middle of the road: "I'm
praying very hard, so it depends on what the Lord says."
But for the moment, Delores Hall is well satisfied at filling the Lyceum
Theatre seven times each week. "This show I love so much," she says,
her eyes sparkling, "because it takes me home."
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WESTSIDER LIONEL HAMPTON
King of the Newport Jazz Festival
6-24-78
The world's greatest celebration of jazz, the Newport Jazz Festival, will
get off the ground on June 23 -- its 25th consecutive year. During the 12
day festival, in indoor and outdoor settings all over Manhattan and
beyond, the most important names in jazz will stage nearly 30 major
musical events.
More than half the concerts, appropriately enough, will take place on the
West Side, in Carnegie Hall and Avery Fisher Hall. And just as
appropriately, this year's festival will be dedicated to a Westsider whose
life has been an inspiration to millions of people, not only for the great
music he has created, but for a heart as large as the Grand Canyon. To
call him merely a giant of jazz could be an understatement, because they
don't come any bigger than Lionel Hampton.
Ask a dozen people what the name Lionel Hampton means to them and
you're likely to get a dozen answers -- all of them correct. In his 50 years
as a professional musician, "Hamp" has used his remarkable gifts humbly,
wisely, and unselfishly.
Music historians will always remember him as the man who introduced
the vibraphone into jazz. This he accomplished in 1930, while playing
with Louis Armstrong. Ever since, Hampton has been known as the
world's foremost master of the instrument. He is also a leading drummer,
pianist, singer, arranger, bandleader and composer. At 69, he continues
to work nearly 50 weeks out of the year, taking his band to every corner
of the U.S. and Europe. But whether he's making a live recording in a
nightclub or performing his own symphonic works with the Boston
Symphony Orchestra, Lionel Hampton glows with a spiritual energy that
extends far beyond his music.