*The government of Nero.* Freed from the fear of any rival influence, Nero, now twenty-two years of age, took the reins of government into his own hands. After the death of Burrus in 62, Seneca lost his influence over the princeps, who took as his chief advisor the worthless praetorian prefect, Tigellinus. The Senate, whose support he had courted in his opposition to Agrippina, now found itself without any influence; and, since his wanton extravagances emptied the treasury, Nero was forced to resort to oppressive measures to satisfy his needs. The sole object of his policy was the gratification of his capricious whims. In the conviction that he was an artist of extraordinary genius, he hungered for the applause of the successful performer, and in 65 A. D. publicly appeared in the theatre as a singer and musician. Nothing could have more deeply alienated the respect of the upper classes of Roman society. Eager to duplicate his theatrical successes in the home of the Muses, in 66 A. D. Nero visited Greece and exhibited his talent at the Olympian and Delphic games. *The fire in Rome and the first persecution of the Christians, 64 A. D.* In 64 A. D. a tremendous fire, which lasted for six continuous days and broke out a second time, devastated the greater part of the city of Rome. Subsequently, Nero was accused of having caused the fire, but there is absolutely no proof of his guilt. However, he did seize the opportunity to rebuild the damaged quarter on a new plan which did away with the offensive slum districts, and to erect his famous “Golden House,” a magnificent palace and park on the Esquiline. Popular opinion demanded some scapegoat for the disaster, and Nero laid the blame upon the Christians in Rome, possibly at the instigation of the Jews whose community was divided by the spread of Christian doctrines. Many Christians were condemned as incendiaries, and suffered painful and ignominious deaths. This was the first persecution of the Christians.