Among the words which have undergone so many successive transitions of meaning that every trace of a property common to all the things they are applied to, or at least common and also peculiar to those things, has been lost, Stewart considers the word Beautiful to be one. And (without attempting to decide a question which in no respect belongs to logic) I cannot but feel, with him, considerable doubt, whether the word beautiful connotes the same property when we speak of a beautiful colour, a beautiful face, a beautiful scene, a beautiful character, and a beautiful poem. The word was doubtless extended from one of these objects to another on account of a resemblance between them, or more probably, between the emotions they excited; and, by this progressive extension, it has at last reached things very remote from those objects of sight to which there is no doubt that it was first appropriated; and it is at least questionable whether there is now any property common to all the things which, consistently with usage, may be called beautiful, except the property of agreeableness, which the term certainly does connote, but which cannot be all that people usually intend to express by it, since there are many agreeable things which are never called beautiful. If such be the case, it is impossible to give to the word Beautiful any fixed connotation, such that it shall denote all the objects which in common use it now denotes, but no others. A fixed connotation, however, it ought to have; for, so long as it has not, it is unfit to be used as a scientific term, and is a perpetual source of false analogies and erroneous generalizations.