“The Horticultural Hall was entirely filled last evening, and Madam Camilla Urso was welcomed back to Boston with an enthusiasm evidently as unaffected as it was hearty. The programme of the concert was singularly choice, but it was noticeable especially for the contrast which it presented to the bills of most of our _virtuosi_: in three of its numbers only did Madam Urso take part, and those three were a trio for violin, piano, and violoncello, a sonata for violin and piano, and a string quartette. Disappointment at not hearing the principal musician in a solo performance may have marred the pleasure of some of the audience; and at the other concerts of the series it is very likely that some provision may be made for the gratification of this natural desire. But the entire arrangement of last night seemed to us significant—delightfully significant of that noble, generous, self-forgetting spirit which has always distinguished this remarkable performer, and which is not the least of her titles to the grand name of _artiste_. Here seems to be as little as possible of vain show of self; nothing at all of that jealous littleness which tolerates no companions either as composers or interpreters; the _maximum_ of appreciation and reverence for the great authors, and of devotion to the best and worthiest in music. In the concert of last evening Madam Urso carried the higher principle so far that, as has been said, her own name appeared alone neither as author nor performer.