Camilla; or, A Picture of Youth — John Stuart Mill — John Shaqi
Camilla; or, A Picture of Youth
John Stuart Mill · en
She then haughtily proceeded; but Camilla, brought up by her admirable
parents never to pass distress without inquiry, nor to refuse giving at
all, because she could give but little, remained with the poor object,
and repeated her question. The woman, shedding a torrent of tears, said
she was wife to one of the prisoners who was to be tried the next day,
and who expected to lose his life, or be transported, for only one bad
action of stealing a leg of mutton; which, though she knew it to be a
sin, was not without excuse, being a first offence, and committed in
poverty and sickness. And this, she was told, the Judges would take into
consideration; but her husband was now so ill, that he could not feed on
the gaol allowance, and not having wherewithal to buy any other, would
either die before his trial, or be too weak to make known his sad story
in his own behalf, for want of some wine or some broth to support him in
the meanwhile.
Camilla, hastily giving her a shilling, took one of her petitions, and
promising to do all in her power to serve her, left the poor creature
almost choaked with sobbing joy. She was flying to join her party, when
she perceived Edgar at her side. 'I came to see,' cried he, with
glistening eyes, 'if you were running away from us; but you were doing
far better in not thinking of us at all.'
Camilla, accustomed from her earliest childhood to attend to the
indigent and unhappy, felt neither retreating shame, nor parading pride
in the office; she gave him the petition of the poor woman, and begged
he would consider if there was any thing that could be done for her
husband.
'I have received a paper from herself,' he answered, 'before you
alighted; and I hope I should not have neglected it: but I will now take
yours, that my memory may run no risk.'
They then went on to the assembly room.
The company, which was numerous, was already seated at breakfast.
Indiana and Camilla, now first surveyed by daylight, again attracted all
eyes; but, in the simplicity of undress, the superiority of Indiana was
no longer wholly unrivalled, though the general voice was still strongly
in her favour.
Indiana was a beauty of so regular a cast, that her face had no feature,
no look to which criticism could point as susceptible of improvement, or
on which admiration could dwell with more delight than on the rest. No
statuary could have modelled her form with more exquisite symmetry; no
painter have harmonised her complexion with greater brilliancy of
colouring. But here ended the liberality of nature, which, in not
sullying this fair workmanship by inclosing in it what was bad,
contentedly left it vacant of whatever was noble and desirable.