Celtic art in Pagan and Christian times — John Stuart Mill — John Shaqi
Celtic art in Pagan and Christian times
John Stuart Mill · en
Zoömorphs are found throughout the whole range of Christian Celtic art;
they form an important feature in the decoration of nearly all the
Hiberno-Saxon illuminated MSS.; they are particularly characteristic of
the Irish ecclesiastical metalwork; and they are of frequent occurrence
on the sculptured monuments of Ireland and Scotland. On the crosses
of Wales and Cornwall zoömorphs are comparatively rare. Some of the
best instances of zoömorphic designs in the MSS. are to be seen in
the cross-pages of the Book of Durrow, the Gospels of Lindisfarne,
the Book of Kells, the Gospels of St. Chad, and the St. Gall Gospels
(Codex No. 51); in metalwork on the Ardagh Chalice, the Tara Brooch,
the Hunterston Brooch, the Shrine of the Bell of St. Patrick’s Will,
the Cross of Cong, and the Shrine of St. Manchan; and on sculptured
monuments at Termonfechin, Co. Louth; Kells, Co. Meath; Tihilly,
King’s Co.; Dysert O’Dea, Co. Clare; Nigg, Ross-shire; Aberlemno
and Invergowrie, Forfarshire; St. Madoes, Perthshire; Penally,
Pembrokeshire; and Sancreed and Lanherne, Cornwall.
[Illustration: DETAIL OF ORNAMENT ON ERECT CROSS-SLAB AT NIGG,
ROSS-SHIRE]
Sometimes key-patterns and spirals are converted into zoömorphic
designs by the addition of animals’ heads, as at Penmon, Anglesey;
and Termonfechin, Co. Louth. The centres of spirals are also often
made zoömorphic, as in the Gospels of Lindisfarne, on the cross at
Kilklispeen, Co. Kilkenny, and on an erect cross-slab at St. Vigeans,
Forfarshire.
Probably the most wonderful _tour de force_ in the way of zoömorphic
sculpture is a pair of panels on the erect cross-slab at Nigg,
Ross-shire. Each panel is ornamented with a series of raised bosses
arranged symmetrically. The whole of the convex surfaces of the bosses
is covered with intricate knotwork, and the background is composed
of serpents, the tails of which coil spirally round the bases of the
bosses, and in each case enter the circumference at three points to
form the interlaced-work on the boss. After innumerable crossings under
and over, the tails again diverge at three other points round the base
of the boss, and finally terminate in small spirals in different parts
of the background.
ANTHROPOMORPHIC DESIGNS
Under the above heading are classed all designs in which the complete
figure of a man, or portions of a man are used for purposes of
decoration. Human heads occur in metalwork in the decoration of the
Tara Brooch[462] and in sculptured stonework on the cross of Muiredach,
at Monasterboice, Co. Louth, and on a cross-head from the crannog at
Drumgay Loch.
[462] A pin-brooch ornamented with a human head, from Woodford River,
Co. Cavan, is illustrated in Sir W. Wilde’s _Catal. of the Mus.
R.I.A._, p. 565.