And lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death. Nor was it only on the dying that the ancients bestowed this mark of fondness: Tibullus and Propertius tell us, that, as their bodies were laid on the funeral pile, they clasped them in a fond and last embrace. In regard to the painted crosses, the chaplets, the garlands of flowers, which mark the hallowed resting-place of the departed, it may be said that they are but romantic and poetical expressions of grief. If it were only real grief that expressed itself by outward testimonials, how soon would mourning be banished as an idle expense!--the "inky cloak," and customary "suits of solemn black--the trappings and the suit of woes," be laid aside! What a different feeling does the splendid catafalcum, covered with black velvet, studded with silver tears, and illumined by thousands of glaring tapers, excite, when compared with the simple and verdant graves which point out the spot "where souls do couch in flowers," blessed by affection's tears instead of lustral waters. At all periods, amongst every nation, flowers and certain trees seem to have been consecrated to the dead. The Romans planted the wild vine and the box around their tombs. Thus Martial to Alcimenes: Accipe, non Phario nutantia pondera saxo, Quae cineri vanus dat ruitura labor, Sed fragiles buxos, et opacas palmitis umbras, Quaeque virent lacrymis humida prata meis. The wealthy assigned a beauteous garden to their departed favourites, as in the instance of Augustus and Maecenas. Not only did they suspend garlands over their tombs, but scattered flowers around them. Again in Virgil, Purpureosque jacit flores, ac talia fatur. The same custom prevailed amongst the Grecians, who considered all purple and white flowers acceptable to the dead. The Thessalian's strewed Achilles' grave with the immortal amaranth and lilies. Electra complains that the tomb of Agamemnon received no myrtle boughs; in short, instances of this practice are every where to be found. In addition to flowers and perfumes, ribands and hair were also deposited on their sepulchres. Electra adorns Agamemnon's tomb with her locks, and Canace laments that she had not been able to perform the same rite on her beloved Macareus. Poets tell us that precious ointments and wines were poured upon their monuments; and we find, in Euripides, Helen bidding Hermione to take locks of her hair, honey mixed with milk, and wine, to the sepulchre of her aunt.