The _podestà_ had the right of coining money, provided that his coins bore the effigy of the Doge of Genoa and the inscription “Dux Ianuensium Conradus Rex” in memory of Conrad III, King of the Romans, who in 1138 had conceded to the Republic the privilege of a mint on condition that her coins always bore his name[490]. This condition was not, however, always observed in the Chiote mint. The _maonesi_ between 1382 and 1415 coined base imitations of the Venetian _zecchini_, a practice likewise adopted by Francesco I Gattilusio of Lesbos, and by Stephen Urosh II of Servia, and which procured for the latter a place among the evil kings in the _Paradiso_[491] of Dante. From 1415 the name and figure of St Laurence, the patron saint of the cathedral at Genoa, and the initial or name of the Doge began to appear on the Chiote coins; during the Milanese domination of Genoa two Dukes of Milan, Filippo Maria Visconti and Galeazzo Maria Sforza, figured on the currency of the island, and two issued during the French protectorate of Genoa (1458-61) actually bear the kneeling figure of Charles VII[492]. Finally, from 1483 small pieces bear the initials of the _podestà_. The financial affairs of the company were entrusted to two officials known as _massarj_, who were obliged to send in annual accounts to the Genoese Audit Office. Lastly, Chios was to be a free port for Genoese ships, which were to stop a day there on the voyage to Greece or between Greece and Syria, but no Genoese outlaws were to be harboured there. Thus, while the nominal suzerainty was vested in the home government, the real usufruct belonged to the company, especially as the former was never able to clear off its liabilities to the latter.