temple, which gave it its usual Italian name of “Cape Colonna.” The Franks have too often been accused of being barbarians, whereas there is evidence that they were not indifferent to literature. Among the conquerors were not a few poets. Conon de Béthune was a writer of poems as well as an orator; Geoffroy I of Achaia composed some verses which have been preserved; Rambaud de Vaqueiras, the troubadour of Boniface of Montferrat, was rewarded for his songs by lands in Greece. Count John II Orsini of Epeiros ordered Constantine Hermoniakos to make a paraphrase of Homer in octosyllabic verse. We may say of this production, as Bentley said of Pope’s translation of the _Iliad_, “it is a pretty poem, but you must not call it Homer”; still it is interesting to find a Latin ruler patronising Greek literature. The courtly poet was so delighted that he tells us that his master was “a hero and a scholar,” and that the Lady Anna of Epeiros “excelled all women that ever lived in beauty, wisdom, and learning.” Historical accuracy compels me to add that the “heroic and scholarly” Count had gained his throne by the murder of his brother, while the “beautiful, wise and learned” Anna assassinated her husband! Throughout a great part of the Frankish period, too, people were engaged in transcribing Greek manuscripts. Several Athenians copied medical treatises, William of Meerbeke, the Latin Archbishop of Corinth in 1280, whose name survives in the Argive Church of Merbaka[46], translated Hippocrates, Galen, Aristotle, and Proklos, and one of the Tocchi—the Italian family which followed the Orsini as Counts of Cephalonia—employed a monk to copy for him manuscripts of Origen and Chrysostom. Yet, in 1309, a Theban canon had to go to the West to continue his studies; and, a century later, the Archbishop of Patras obtained leave to study at the University of Bologna.