Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher — John Stuart Mill — John Shaqi
Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
The poet of this tribute is not wooing, but worshiping the woman won;
reverently striving to comprehend an ineffable joy. The poem is not of
praises such as Beaumont in his epistle _Ad Comitissam Rutlundiae_
contemns, praises "bestow'd at most need on a thirsty soul." The writer,
here, purports to examine into his Mistress's perfections, but, like
the author of the epistle to the Countess, he examines not at all,--he
observes the reticence for which Beaumont there had given the reason,--
Nor do the virtuous-minded (which I swear
Madam, I think you are) endure to hear
Their own perfections into question brought,
But stop their ears at them.
When the lines of the _Examination_ are set beside the undoubted poems
of Beaumont, they appear, in rhetoric, metaphor, and sentiment, to be
of a type with the two tributes to Lady Rutland; in vocabulary, rhyme,
and run-on lines, also, to be of one font with them, and with the
letter to Ben Jonson and the elegy to Lady Clifton. When the lines are
set beside those of Beaumont's own phrasing in the dramas, one finds
that in their brief compass they echo the metaphor of his Amintor, "my
soul grows weary of her house,"--the hyperbole of his Philaster, "I
will sooner trust the wind With feathers, or the troubled sea with
pearl,"--the passionate ecstasy of his Arbaces, "Here I acknowledge
thee, my hope ... a happinesse as high as I could thinke ... Paradice
is there!" The tribute is a variant of those closing lines in _A King
and No King_,
I have a thousand joyes to tell you of,
Which yet I dare not utter, till I pay
My thankes to Heaven for um.
I date this poem, then 1612 or 1613, a year or two after the play just
mentioned and the epistle to Lady Rutland; and I imagine with some
confidence that it was written by Beaumont for Ursula Isley, whom he
married about this time.
Ursula's father, Henry Isley, belonged to a family of landed gentry
which had been seated since the reign of Edward II in the parish of
Sundridge, Kent. The manor came to them from the de Freminghams in 1412.
In 1554 Sir Harry Isley and his son, William, who were prominent
upholders of the reformed religion, had joined hands with the gallant
young Sir Thomas Wyatt of Allington Castle--about seventeen miles from
Sundridge--in the rebellion which he raised in protest against the
proposed marriage of Queen Mary with Philip of Spain. At Blacksole
Field, near Wrotham, half-way between Sundridge and Allington, the Isley
contingent was met and routed by Sir Robert Southwell and Lord
Abergavenny; and the vast Isley estates were confiscated. A considerable
part was restored to William within a year or two. But he falling into
debt had to sell the larger portion; and for the manor of Sundridge
itself, he appears to have paid fee farm rent to the Crown.