Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
Another summer day, Francis would ride the ten miles north toward
Chislehurst (ashes of Napoleon _le petit_!), and turn aside to pay his
compliments to the proprietor of Camden Place, Ben Jonson's friend the
antiquary. But we may suppose that more gladly and frequently than to
any other spot, this dramatist-turned-squire, and settled down for
health and leisure, would head his horse for Knole; and, galloping the
hills through Chipstead and Sevenoaks up to the old church that crowns
the height, would steady to a trot along the stately avenue of the Park
amid its beeches and sycamores,--resting his eye on broad sweeps of
pasture-land and distant groves, and thinking poetry,--to be greeted
within one short half-hour from the time he left the Place, by that most
hospitable nobleman of the day, the noblest patron of poetry and art,
Richard Sackville, third Earl of Dorset. They would pace--these two
lovers of Ben Jonson, and worshippers of the first dramatist-earl--the
Great Hall, together, talking of plays, of the burning of the Globe
while _Henry VIII_ was on the boards, or of the opening of the new
Blackfriars, or of Overbury's poisoning, and the scandalous marriage of
Rochester and Lady Essex, or of Sir Henry Nevill's chances in the matter
of the Secretaryship, or of Winwood's appointment, or of Raleigh's
grievances, or of the new favourite, young Villiers of Brooksby, or of
the long existing grievance of Beaumont's Catholic cousins, in and after
1614 all the more acute because of the hopes and fears thronging that
other subject of discussion which doubtless would occupy a place in any
conversation, the negotiations of Don Diego Sarmiento for a Spanish
Marriage. Perhaps they would stretch their legs out to the fire before
the old andirons that had once been Henry VIII's, and talk of the tragic
romance of young William Seymour and Lady Arabella Stuart, the cousin
alike of Robert Pierrepoint and his majesty, James I; or of the
indictment and fall of Somerset. Or they would stroll to the chapel, and
decipher the carvings of the Crucifixion which Mary, Queen of Scots, had
given to the Earl's brother, now dead. Or the Earl would point out some
new portrait of that wonderful collection, then forming, of literary men
in the dining-room, and Beaumont would pass judgment upon the
presentment of some of his own contemporaries.
Then down the drive by which the sheep are browsing and the deer, like
Agag delicately picking their way, and back to Sundridge of the Isleys,
and to Ursula; maybe to an afternoon of lazy writing on scenes that
Fletcher has called for--perhaps the posset-night of Sir Roger and
Abigail for the beginning of _The Scornful Ladie_.
In 1614 or 1615, the poet's first child, a daughter, was born and was
appropriately named after the two Elizabeths who had touched most
closely upon his life. But the days of wedded happiness--"This is my
blisse, Let it run on now!"--were brief. On March 6, 1616, he
died,--only thirty-one years of age.[112]