Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher — John Stuart Mill — John Shaqi
Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
Beside the dramas which there is any meritorious reason for assigning to
the joint-authorship of the two friends, some dozen plays were produced
by Fletcher alone, or in collaboration with others, before the practical
cessation, in 1613, or thereabout, of Beaumont's dramatic activity.
After that time Fletcher's name was attached, either as sole author or
as the associate of Massinger, Field, William Rowley, and perhaps
others, to about thirty more. From 1614 on, he was the successor of
Shakespeare as dramatic poet of the King's Players. Jonson's masques
delighted the Court, but no writer of tragedy or comedy,--not Jonson,
nor Philip Massinger, who was now Fletcher's closest associate, nor
Middleton or Rowley, Dekker, Ford, or Webster,--compared with him in
popularity at Court and in the City. He is not merely an illustrious
personality, the principal author of harrowing tragedies such as
_Valentinian_, the sole author of tragicomedies such as _The Loyall
Subject_, and long-lived comedies--_The Chances_, _Rule a Wife and Have
a Wife_, and several more,--he is a syndicate: he stands sponsor for
plays like _The Queene of Corinth_ and _The Knight of Malta_ in which
others collaborated largely with him; and his name is occasionally
stamped upon plays of associates, in which he had no hand whatever.
"Thou grew'st," says his contemporary and admirer, John Harris,--
"Thou grew'st to govern the whole Stage alone:
In which orbe thy throng'd light did make the star,
Thou wert th' Intelligence did move that Sphear."
Dr. Harris, Professor of Greek at Oxford in the heyday of Fletcher's
glory, and a most distinguished divine, writes, in 1647, as one who had
known Fletcher, personally,--observes his careless ease in composing,
his manner of conversation,
The Stage grew narrow while thou grew'st to be
In thy whole life an Exc'llent Comedie,--
and admires his behaviour:
To these a Virgin-modesty which first met
Applause with blush and fear, as if he yet
Had not deserv'd; till bold with constant praise
His browes admitted the unsought-for Bayes.
So, addressing the public, concludes this panegyrist,--
Hee came to be sole Monarch, and did raign
In Wits great Empire, abs'lute Soveraign.
It is of these years of triumph that another of "the large train of
Fletcher's friends," Richard Brome, Ben Jonson's faithful servant and
loving friend, and his disciple in the drama, tells us: