_The Lawes of Candy_, _The Noble Gentleman_, and _The Faire Maide of the Inne_, is altogether in favour of their composition after Beaumont's death. In each of these twelve plays, however, beginning with _Thierry_ and ending with _The Honest Mans Fortune_, an occasional expert thinks that he finds a speech or a scene in Beaumont's style, and concludes that the play in its present form is a revision of some early effort in which that dramatist had a hand. But where one critic surmises Beaumont, another detects Beaumont's imitators; and where one conjectures Fletcher and Beaumont conjoined, half a dozen assert Fletcher, assisted, or revised by anywhere from one to four contemporaries,--Field or Daborne or Massinger, Middleton or Rowley, or First and Second Unknown. I have examined these plays and the evidence, as carefully as I have those which have more claim to consideration among the Beaumont possibilities, and have applied to them all the tests which I shall presently describe; and have come to the conclusion that Beaumont had nothing to do with any of the twelve. There remain, then, of the twenty-three plays enumerated above as Beaumont-Fletcher possibilities, only eleven of which I can, on the basis of external or internal evidence, or both, safely say that they were composed before Beaumont ceased writing for the stage, and that he had, or may have had, a hand in writing some of them. These are, in the order of their first appearance in print: _The Woman-Hater_, published without name of author in 1607; _The Knight of the Burning Pestle_, also anonymous, published in 1613; _Cupids Revenge_, published as Fletcher's in 1615; _The Scornful Ladie_, published in 1616, as Beaumont and Fletcher's, just after the death of the former; _The Maides Tragedy_, published, without names of authors, in 1619; _A King and No King_, published as Beaumont and Fletcher's in 1619; _Philaster_, published as Beaumont and Fletcher's in 1620; and _Foure Playes in One_, _Loves Cure_, _The Coxcombe_, and _The Captaine_, first published in the 1647 folio, without ascription of authorship on the title-page, but as of the "Comedies and Tragedies written by Beaumont and Fletcher," in general. In the case of _Loves Cure_ the Epilogue mentions "our Author"; the Prologue, spoken "at the reviving of this play," attributes it to Beaumont and Fletcher. As for _The Coxcombe_, the Prologue for a revival speaks of "the makers that confest it for their own."