Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher — John Stuart Mill — John Shaqi
Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
If Burre, who was not a litterateur, did not know that Shelton's
translation of _Don Quixote_ had been going the rounds for years before
it was printed in 1612, everybody else did. Shelton had announced as
much in his _Epistle Dedicatorie_ to Theophilus, Lord Howard of Walden,
prefixed to the first quarto of 1612. He translated the book, as he
says, "some five or six yeares agoe"--that would be in 1607, for he used
the Brussels Reprint of that year as his text,--"out of the Spanish
Tongue into the English in the space of forty daies: being thereunto
more than half enforced through the importunitie of a very deere
friende, that was desirous to understand the subject. After I had given
him once a view thereof, I cast it aside, where it lay long time
neglected in a corner, and so little regarded by me as I never once set
hand to review or correct the same. Since when, at the entreatie of
others my friends, I was content to let it come to light, conditionally
that some one or other would peruse and amend the errours
escaped"--because he had not time to revise it himself. In other words,
Shelton had shown the manuscript translation of _Don Quixote_ to but one
friend in 1607; and it was not till "long time" had elapsed that he
began to circulate it among his other friends on condition that they
should correct its errors. The date of circulation was, probably, about
1609, for in that year we have our earliest mention of the reading of
_Don Quixote_ by an Englishman,--by a dramatic character, to be sure,
but a character created by Ben Jonson. In his _Epicoene_, acted in 1610,
and written the year preceding, that dramatist makes Truewit advise the
young Sir Dauphine to cease living in his chamber "a month together upon
_Amadis de Gaule_, or _Don Quixote_, as you are wont." There is no
ascription of Spanish to Dauphine, who is a typical London gallant. He
would read _Amadis_ in the French, or the English translation; and the
only translation of _Don Quixote_ accessible to him in 1609 would be
Shelton's manuscript of Part One.[207] Jonson may himself have been one
of the friends to whom Shelton submitted the translation. There is no
reason to believe that Jonson had read Cervantes in the original; for,
as Professor Rudolph Schevill has conclusively demonstrated,[208] his
knowledge of Spanish was extremely limited. "The Spanish phrases
pronounced by the improvised 'hidalgo' in the _Alchemist_ (of 1610)
prove nothing." They were caught, as Professor Schevill says, from the
London vogue or may have been supplied by some Spanish acquaintance.
Indeed, one may even doubt whether if he read Shelton's manuscript
Jonson did so with any care, for not only in _The Alchemist_ but
elsewhere he uniformly couples Don Quixote as if a character of
chivalric romance with Amadis, of whom and his congeners Don Quixote is
a burlesque.